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I watched in fascination as one of the tenors strained to reach notes obviously out of his range. I had never heard the chest voice *forced* so high in the male register.
There’s something remarkable about instances where the people involved don’t realize a recording is being made.
My ignorance vis–à–vis the 1962 Breviary will astound you…
“Receive ye the Holy Ghost; whose sins you shall forgive, they are forgiven them, and whose sins you shall retain, they are retained.”
The Dedication of a Church is a rare event in anyone’s lifetime.
When I first attended the Traditional Mass, I hated it.
I had a go at finding the structure of the melody…
Here we see the result of so much hard work, one of the great Cathedral Choirs of the world!
Alec Harris (President of GIA Publications) “can’t overestimate the profound impact” that David Haas had on “everyone at GIA Publications.”
“The use of Psalm 150 is a change from the experimental Easter Vigil (1951-1955) in which Psalm 116 was used for Lauds.” —Msgr. McManus
The polyphonic imitative style of the Renaissance is a refection of the rational mind and the music of heaven.
A new chant workshop in upstate New York in June 2017.
The indispensable “Musician’s Guide to Good Friday,” including a 50-page PDF and rehearsal videos!
Read the words of John 3:16 again.
I haven’t studied the situation enough to know with certainty.
