• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

  • Our Team
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Lalemant Polyphonic
    • Saint Antoine Daniel KYRIALE
    • Roman Missal, 3rd Edition
    • Emporium Kevin Allen
  • Miscellaneous
    • Site Map
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
  • Donate
Views from the Choir Loft

Brace Yourself • “Raw” Recordings from Solemn Mass

Jeff Ostrowski · April 25, 2017

OSEF HOFMANN never cared much about recordings. We hear his playing mainly from “pirated” recordings—made without his knowledge—or from “test pressings” which end abruptly in the middle of a piece. It matters not; I’d rather hear one trill by Hofmann than everything Claudio Arrau ever recorded. Something remarkable happens when people don’t realize they’re being recorded. Yesterday, a generous lady posted some snippets of a Solemn High Mass that took place last Sunday. This was at the new FSSP Apostolate in Los Angeles. The singing was by our volunteer Latin Mass choir!

Eastertide Alleluia (before Gospel) with a setting by Victoria:


A live snippet from the procession:


Palestrina’s setting of the Sanctus:


A live snippet of the “Vidi Aquam,” intoned by Fr. Gerard Saguto, our District Superior:


The Sung “Confiteor,” before the Reception of Holy Communion. 1


Organ interlude during the Offertory:


The lovely setting of “O Filii et Filiae” by Msgr. Jules Van Nuffel:


Snippet of the “Agnus Dei” by Guillaume Du Fay (d. 1474) using the same CANTUS FIRMUS as the Alleluia by Victoria (see above):


The microphones never do justice to the choral sound. For example, listen to how the ladies sound in the following clip, from Viadan’s GLORIA. I was there. I can assure you sounded 50 billion times more glorious in real life. This recording does not accurately represent the choral sound. I was there.



NOTES FROM THIS ARTICLE:

1   Fr. Ronald Krisman, formerly Executive Director of the Bishops’ Liturgy Committee, has asserted that the “Prayers at the Foot of the Altar” were sung in the Traditional Mass, but he’s incorrect. The “Prayers at the Foot of the Altar” were never sung. The only time the “Confíteor” is sung is prior to the distribution of Holy Communion.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

Quick Thoughts

    Introit • Candlemas (2 February)
    “Candlemas” • Our choir sang on February 2nd, and here's a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th Sunday after Pentecost.) We still need to improve, but we're definitely on the right track!
    —Jeff Ostrowski
    Simplified Antiphons • “Candlemas”
    Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3).
    —Jeff Ostrowski
    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski

Random Quote

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)

Recent Posts

  • Church Music Shouldn’t Be “Headache-Inducing”
  • Introit • Candlemas (2 February)
  • Simplified Antiphons • “Candlemas”
  • Apply Right Now! • Sacred Music Symposium
  • Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦

Subscribe

Subscribe

* indicates required

Copyright © 2023 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.