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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Lucas Tappan · May 12, 2017

Ten “Ave Maria” Settings from Different Lands

Live recordings—music in honor of Our Lady of Fatima.

Corpus Christi Watershed · May 11, 2017

May Is Dedicated To Mary

“Prior to the singing of each hymn, a brief background of its history and significance in Catholic devotional life will be presented by Peter Meggison.”

Andrew Leung · May 11, 2017

Church Musicians are called to be Good Shepherds

Not only priests, church musicians are also called to be good shepherds after the example of Christ.

Jeff Ostrowski · May 10, 2017

Musical Resources • 4th Sunday after Easter (1962)

“…He shall not speak of Himself; but what things soever He shall hear, He shall speak…”

Jeff Ostrowski · May 9, 2017

Guerrero’s Gloria from “Missa Iste Sanctus”

Why Do We Produce Rehearsal Videos? And what made more than 600 people show up for Santa Barbara’s first Latin Mass in fifty years?

Fr. David Friel · May 7, 2017

Fota X Conference (and other Summer Opportunities)

Summer 2017 looks to be a blockbuster period for sacred music activity.

Andrew Leung · May 4, 2017

Why the Pipe Organ?

Why is the pipe organ to be held in high esteem?

Jeff Ostrowski · May 4, 2017

Fulton J. Sheen • World’s Most Progressive Bishop?

Sheen replied: “Mr. President, I’m not the least bit impressed with your source.”

Dr. Alfred Calabrese · May 3, 2017

Kids Are Colorblind But Adults Are Not

Adults with an agenda teach children their own biases.

Dr. Lucas Tappan · May 2, 2017

A Picture is Worth a Thousand Words

If the Holy Mass really is the unbloody sacrifice of the Body and Blood, Soul and Divinity of Christ, then the music we use will be radically affected.

Jeff Ostrowski · April 30, 2017

Justice Antonin Scalia on Church Music

“I would go there Sunday morning and sing Palestrina, William Byrd, Mozart…this magnificent choral music.”

Fr. David Friel · April 30, 2017

Masterful “Salve Regina” by 17th-Century Portuguese Composer

This is the sort of setting that could only have derived from faith and grown out of the experience of praying these words repeatedly and fervently.

Veronica Brandt · April 29, 2017

Sing everyday! Regina Caeli!

Singing isn’t just a Sunday thing – if you want to sing well, then it’s good to sing everyday! Bring this ancient antiphon into your life and see how it goes.

Richard J. Clark · April 28, 2017

The Older I Get…

The older I get, the more I spend on these. If not, what good am I to the prayer of the people?

Andrew Leung · April 27, 2017

2nd Macau International Choir Festival

Register before August 20 to participate in the 2nd Macau International Choir Festival

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”

— Adrian Fortescue (25 March 1916)

Recent Posts

  • Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)
  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!
  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

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