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Views from the Choir Loft

Introit • Solemnity of the Most Holy Trinity • Free Download

Richard J. Clark · June 8, 2017

AST YEAR, I was honored to have been commissioned a new setting of the Introit for the first Mass of Fr. Patrick Fiorillo. This took place on the Solemnity of the Holy Trinity. The setting is in English and composed for SATB, organ, schola/cantor, and congregation.

You may read about his first Mass here—a true model of singing the Mass in the Novus Ordo. You may download the score and listen to a live recording of the Introit from Rev. Fiorillo’s first Mass:

FREE DOWNLOAD:
PDF • Blessed Be the Holy Trinity • Introit
for Schola, SATB, Organ, Congregation

LISTEN HERE:
MP3 • Blessed Be the Holy Trinity • Introit

Bridgette Wargovich directed the extraordinary choir. Fr. Michael Ruminski from the Diocese of Hartford served as organist. Corey Bassett-Tirrell, a seminarian at Pope Saint John XXXIII Seminary was the cantor.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

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Richard J. Clark

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Quick Thoughts

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

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