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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Scientia Linguæ Latinæ Voluptatem Et Gaudium Affert!

Dr. Lucas Tappan · June 6, 2017

LMT Latin Manuscript DON’T PROFESS to have anything more than a rudimentary knowledge of Latin, but even I can apprehend something of its beauty and usefulness, whether from the religious perspective, the historical perspective or any other perspective for that matter. Therefore, I am at a lost to explain why the Latin language engenders such fits of rage and anger in mainstream Catholic “intellectual” circles, whether they include the clergy, educators or “enlightened” laymen.

The most comical expressions of anti-Latin thought emanate from the mouths of young children who inform me in rehearsal that Vatican II said we are supposed to worship in English (admittedly this happens less and less as the years go by). Am I to believe that these 9 year old children have read, discussed and prayed about Sacrosanctum concilium? How did I miss the line in SC that ordered the entire Church, for example the Church in Germany or Brazil, to worship in English?

Unfortunately my avocation of church musician doesn’t allow me to sidestep the Latin vs. vernacular issue any more than a house painter is able to avoid paint. To sing Roman Catholic music is to sing in the Latin tongue. To worship in the Roman Catholic Liturgy is to worship in a way formed by the Latin language (this is true even in the vernacular translation of the modern Roman Rite).

Leaving religion aside for the moment and turning to the more mundane task of education in general, Dorothy Sayers, in her exceptional essay The Lost Tools of Learning, admits that “the best grounding for education is the Latin grammar. I say this, not because Latin is traditional and medieval, but simply because even a rudimentary knowledge of Latin cuts down the labor and pains of learning almost any other subject by at least fifty percent. It is the key to the vocabulary and structure of all the Teutonic languages, as well as to the technical vocabulary of all the sciences and to the literature of the entire Mediterranean civilization, together with all its historical documents.” Anyone who has ever read Sayers would agree that the study of Latin didn’t stunt her intellectual prowess. So why is this tool, as Sayers described it, so despised?

I ask this question because of an article by Deacon Jim Russell that appeared recently at Crisis Magazine, which claimed that the the loss of Latin has had disastrous effects on Roman Catholic sacred music. To be honest, music isn’t the only thing the loss has affected (I think of theology especially), but let’s keep to the subject of music for the moment. Where do we see today the likes of Prudentius, Fortunatus, Ambrose or even Blessed John Henry Cardinal Newman? Now that our society has severed itself from the great tradition of Western Civilization, which is intimately bound to the Latin language, the only lyrics we are left with are catchy little ditties foisted on us from the pen of every musician who feels the need to “express himself.” (I am reminded here of the lyrics from such a “hymn” from my Catholic school days—Great Things Happen when God Mixes with Us, from the Glory and Praise hymnal).

Funnily enough, I am not opposed to the use of vernacular in the Holy Mass or the Divine Office. Neither am I against the true inculturation of the Faith into various local communities. But I am mightily opposed to the ridiculous notion that having cut ourselves free from the moorings of Latin we are now in possession of a better understanding of God or our Faith than anyone before 1965.  Such a mentality cheapens the lives of countless men, women and children, ordained and lay, old and young, rich and poor, important and unimportant who lived and died over the last 1500 years to bring the light of Christ to a world in such need of His Love and Mercy. Remember that those same men and women were formed in a time when the Sacred Liturgy was entirely in Latin. Would they have given their lives to Christ if they hadn’t known Him or loved Him? I doubt it. And here we arrive at the crux of the issue. I find that those who are so opposed to the use of Latin in our worship (especially when coupled with ad orientem worship) are generally opposed to the traditional belief that worship is about God, and instead desire to circle their wagons (literally) and turn their thoughts in on themselves as an assembly. Worship becomes group therapy and entertainment rather than an encounter with the living God.

It is time that we leave behind this “hermaneutic of discontinuity” and awake from our religious amnesia and embrace our Faith in its fullness. It is time that we break from the shackles that would have us believe that the Church began in the 1960s. It is time to remember that our heavenly family has a history encompassing 2000 years of the greatest saints, poets, lovers, fighters, evangelizers and men and women who had their eyes set on the heavenly city, the New and Eternal Jerusalem. Recovery of Latin alone won’t do this, but it would symbolically and intellectually open a breach in what seems to be an impregnable wall that keeps us from seeing the hand of God alive in His Church in every age.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

“The Humanists abominated the rhythmical poetry of the Middle Ages from an exaggerated enthusiasm for ancient classical forms and meters. Hymnody then received its death blow as, on the revision of the Breviary under Pope Urban VIII, the medieval rhythmical hymns were forced into more classical forms by means of so-called corrections.”

— ‘Father Clemens Blume, S.J.’

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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