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Views from the Choir Loft

Articles

Jeff Ostrowski · March 3, 2020

PDF Download • Catholic Hymnal by the Bishop of Cleveland, Ohio (84 Pages)

An extremely rare hymnal compiled by the Most Rev’d Joseph Schrembs, Bishop of Cleveland, Ohio.

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Dr. Lucas Tappan · March 3, 2020

The Institution as Formator (Part II)

Once we realize how high that standard for accepting a chorister is, it becomes easier to understand the boy’s rapid musical progress in the choir.

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Wilfrid Jones · March 1, 2020

“It’s not just the singing of certain notes”

A video and quote from our friends at the Monastère Saint Benoît.

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Jeff Ostrowski · March 1, 2020

“Stations of the Cross” • By Fulton J. Sheen

The beautiful “Way of the Cross” by Sheen made our local bishop weep as he was leading them.

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Jeff Ostrowski · February 28, 2020

iPhone Clip • “Sight-Reading Hosanna the First Time”

I found this on my iPhone from 2018…

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Veronica Moreno · February 27, 2020

Organ Scholarship at Christendom College

Christendom College will offer free organ lessons and $500 in tuition reduction for a student starting in the Fall of 2020.

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Jeff Ostrowski · February 26, 2020

PDF Download • “Hymnal of Christian Unity” (1964)

There’s something comforting about the Brébeuf hymnal translations, since they were created by Catholic priests.

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Andrea Leal · February 25, 2020

Why Should You Come to the Symposium?

The fruits of attending the Symposium will extend throughout the generations.

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Dr. Lucas Tappan · February 25, 2020

Vaughan Williams’ Sage Advice for Those Appointing Martin Baker’s Successor

A comment on the importance of the role of director of music a Westminster Cathedral, following the resignation of Martin Baker, offered by Gregory Treloar.

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Jeff Ostrowski · February 24, 2020

“Notwithstanding all our troubles, we sing Mass” —1601 AD

Let’s remember this sentence when we are tempted to complain about our (holy) vocation providing music for Mass!

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Fr. David Friel · February 23, 2020

Exploring the 5th/6th-Century Mosaics of Ravenna

These magnificent images are not only attractive to behold, but also deeply theological.

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William J. Fritz · February 21, 2020

What Kind of Interest is there in a Gregorian Chant Class?

Have you ever considered how a class on Gregorian chant would be received? Why is there an increasing desire among Catholics to include chant in the Mass and liturgy? Look at how one such class was received in Southern California. Outline included of class structure.

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Wilfrid Jones · February 20, 2020

Beyond performing and listening

The way we do music says a lot about how we see ourselves and our relationship to those around us. What does that say about music in the liturgy?

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Dr. Gregory Hamilton · February 20, 2020

Secret Sympathy

“Our souls are moved to the ardor of piety by the sacred words more piously and powerfully when these words are sung…” —St. Augustine

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Jeff Ostrowski · February 20, 2020

Absolutely Sensational Video About The Sacred Music Symposium!

It’s difficult to imagine a more breathtaking video—the beauty is staggering!

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Rubric Challenge”
    The feast of Corpus Christi is special for TLM altar boys. On that day, two of us thurifers got to walk backwards while using the THURIBLE. (That American custom, if memory serves, is not strictly described in the rubrics.) A few weeks ago on the CCW Facebook Page we posted this screenshot from a 1915 Roman Catholic hymnal. The challenge is to guess what the rubric says, which we blocked from view with a red box. So far, nobody has guessed correctly. Feel free to guess! Our email address and phone number is listed at the bottom of each page.
    —Jeff Ostrowski
    Music List • “Trinity Sunday” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Trinity Sunday—a.k.a. “Dominica I post Pentecosten”—which is 31 May 2026. Please feel free to download it as a PDF file if that appeals to you. The hymns chosen are fairly traditional, but truly excellent (the Communion hymn especially stands out). The ENTRANCE CHANT radiates pure bliss, overflowing with joy.
    —Jeff Ostrowski
    “Entrance Chant” • Feast of Corpus Christi
    While simultaneously accompanying myself on the pipe organ, I recently recorded the INTROIT (“Entrance Chant”) for the feast of Corpus Christi, Years ABC. A whole crop of musical scores—which you really should investigate—have found a home at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any renumeration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The hostile attitude of music directors and distinguished composers prevented the reform from introducing renewal and pastoral participation into sacred music.”

— Hannibal Bugnini

Recent Posts

  • Rare! Rare! Rare! • “Australian Hymnal” (Roman Catholic) from 1942 • By Father Percy Jones
  • “Reminder” — Month of June (2026)
  • PDF Download • “Rubric Challenge”
  • “CCW Subscriptions” • (Update — 31 May 2026)
  • Re: The “True” Nature of Gregorian Chant

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