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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · February 7, 2025

“Win or Lose, a Fight Worth Fighting!” • (Email Received from a Priest)

We owe a tremendous debt of gratitude to Jeffrey Tucker, who prevented a non-Christian company from securing a monopoly on the (mandatory) English psalm translation!

Jeff Ostrowski · February 6, 2025

PDF Download • “Communion Refrain” (Polyphony) for Three Voices — with Psalm 117

This injunction from Archbishop Fulton J. Sheen is crucial for artists.

Jeff Ostrowski · February 5, 2025

PDF Download • “Psalm Comparison Chart”

This PDF chart will be of interest to Catholic musicians!

Jeff Ostrowski · February 4, 2025

PDF Download • “Entrance Chant” for the 5th Sunday in Ordinary Time (Year C)

I would argue we must renew our good resolution and stand firm.

Jeff Ostrowski · February 3, 2025

Jesuit Recruitment Video (1950s)

It’s difficult to understand why some modern-day Jesuits have not been reprimanded by their superiors.

Corpus Christi Watershed · February 3, 2025

“Jeff, Your Assertions Are False and Misleading”

“This is a false assertion: one I’ve never heard, read about, or heard organ builders discuss.” —Kyle H.

Jeff Ostrowski · February 3, 2025

Richard Nixon • “Federal Aid for Parochial Schools”

Colson claims Nixon signed an ‘executive order’ giving federal money to Roman Catholic schools.

Jeff Ostrowski · February 1, 2025

Can Marian Hymns Be Sung During the Offertory?

My colleague, Corrinne May, has published an article for the “Totus Tuus” apostolate.

Jeff Ostrowski · January 31, 2025

PDF Download • Intensely Rare 1898 “Roman Gradual” — (Released for the First Time in History)

I carefully scanned all 642 pages in (color) high resolution.

Jeff Ostrowski · January 30, 2025

Thoughts on the “English” Method of Hymn-Printing

Protestants sometimes say: “One must never omit verses of a hymn, because hymns tell a story.”

Corpus Christi Watershed · January 30, 2025

Reader Feedback • Re: “Simplified” Music (Part 2)

“I haven’t been doing parish music that long—only about 3 years at this point.” —Celeste M.

Corpus Christi Watershed · January 30, 2025

“Entrance Chant” (Feast of the Presentation, 2 Febr.) • Sung by Three Young Women

This ‘live’ video shows three young women singing…

Veronica Moreno · January 29, 2025

Finding the Choir in FSSP-Lyon

“For twenty years I sang in the front of a Novus Ordo parish despite wanting to sing in the back.” —Veronica Moreno

Jeff Ostrowski · January 29, 2025

8 Reasons • “Why the Sacred Music Symposium Is Unlike Other Conferences”

Consider a few items you’ll learn at this year’s conference…

Jeff Ostrowski · January 29, 2025

Can Polyphony Be Added to the Ordinary Form?

Vatican II went out of its way to be explicit—which is good news for conscientious choirmasters.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“I examined him in your presence, and could find no substance in any of the charges you bring against him; nor could Herod, when I referred you to him. It is plain that he has done nothing which deserves death. I will scourge him, and then he shall go free.”

— Pontius Pilate

Recent Posts

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  • Why A “Fugue” Here?

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