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Views from the Choir Loft

Dr. Tappan • Article Archive

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—Read full biography (with photographs).

Dr. Lucas Tappan · June 17, 2015

A Musical Diet

I realize what I propose seems like moving forward at a snail’s pace, but considering how long the average parishioner has been in the liturgical and musical desert, anything more would cause the musical equivalent of refeeding syndrome.

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Dr. Lucas Tappan · June 9, 2015

Musical Green Eggs and Ham

Considering the great gift Mother Teresa had been to the world, I had to wonder why her sisters chose something as dubious as “Shepherd Me, O God” to be sung at her funeral?

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Dr. Lucas Tappan · May 27, 2015

Where Have All The Organists Gone?

What will you do to keep the art of organ playing alive?

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Dr. Lucas Tappan · May 19, 2015

One Sure Way To Destroy Your Child’s Musical Potential

If you couldn’t sing, you wouldn’t be able to talk.

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Dr. Lucas Tappan · May 12, 2015

The Ingredients of a Choir School (Part II)

A choir school can be an immense help toward our goal of establishing a liturgical choir worthy of its name.

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Dr. Lucas Tappan · May 5, 2015

Choir School Ingredients

Now all you need are some children for the choir. Get started!

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Dr. Lucas Tappan · April 27, 2015

St. Thomas Choir School, NYC

Perhaps if we invested in better music in our parishes the Good New would be spread more effectively.

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Dr. Lucas Tappan · April 21, 2015

“Proper Of The Mass” (Ignatius Press) • Part 6 of 7

If I were to use English settings of the Propers of the Mass, this would be my go-to book!

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Dr. Lucas Tappan · April 13, 2015

The Madeleine Choir School

This institution is truly forming Catholic musicians for the future.

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Dr. Lucas Tappan · April 2, 2015

Sing One Note

When most singers receive a new motet, they focus on the words rather than the music.

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Dr. Lucas Tappan · March 30, 2015

St. Paul’s Choir School, Harvard Square, Boston

Are you a priest, are you a music director? Perhaps God is calling YOU!

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Dr. Lucas Tappan · March 23, 2015

Regensburger Domspatzen

I would still love to see a choir of this quality in every major Catholic church in America.

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Dr. Lucas Tappan · March 19, 2015

Bertalot’s 5 Wheels (Part 2 of 2)

Steer the Car!

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Dr. Lucas Tappan · March 16, 2015

Most Pure Heart of Mary Schola Cantorum To Sing At Papal Mass

The Schola Cantorum will join the Sistine Chapel Choir, along with a number of other children choirs, to sing for Pope Francis’ Mass on January 6.

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Dr. Lucas Tappan · March 12, 2015

Bertalot’s 5 Wheels (Part 1 of 2)

I have personally reached the point where I am not willing to compromise on this issue with my choristers.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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    —Jeff Ostrowski
    Feast of All Saints (Nov. 1st)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

  • Hymn: “Lux Alma Jesu Méntium” • 16 English Translations by Priests, Cardinals, & Bishops
  • PDF Download • “Singers’ Booklet”
  • “Rare Photograph” • Dom Anthony Gregory Murray
  • PDF Download • Sanctus XIII — “Excellent for Congregations” (Harmonies by Jeff Ostrowski)
  • “Ad Orientem” • Six (6) Post-Conciliar Quotes

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