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Views from the Choir Loft

Regensburger Domspatzen

Dr. Lucas Tappan · March 23, 2015

LMT Regensburger Domspatzen HE CITY OF REGENSBURG, GERMANY (also known as Ratisbon), is beautiful on many accounts, not the least of which is the Cathedral of St. Peter and its famous choir, the Regensburger Domspatzen (literally “the Regensburg Cathedral Sparrows”), which celebrated its 1000 anniversary in 1975.  Msgr. Georg Ratzinger, brother of Pope Emeritus Benedict XVI, directed the choir for 30 years (1964-1994), since which time Roland Buechner has held the baton.  I would like to highlight this choir today for a number of reasons as we discuss the choir school in general and its role in the ongoing efforts to celebrate the Roman Rite in a worthier manner.

The choir at Regensburg is set up according to what I call the German model, meaning that while boys still form the treble lines, high school boys sing the lower parts in the choir, as apposed to the English tradition of having profession men, or university level choral scholars sing those parts.1 The choir’s sound tends toward a judicious use of vibrato (a continental sound) as opposed to a straight tone (an English sound), and the backbone of the choir’s repertoire, like that of Westminster Cathedral, is polyphony and chant.  At the same time, the choir sings much religious music in the German tradition as well as German folk music and art songs, which they perform in concerts across the world.  If you speak German, there is a wonderful video series about the choir on YouTube with a decent amount of footage of actual vocal instruction being given to new choristers. I have found them very helpful.

I would like to point out that while this choir is world class, I nevertheless feel that the quality of the singing is not at the level of Westminster Cathedral (this causes me incredible anguish because I have an unyielding passion for all things German) simply because it does not sing together in public as often as the choir as Westminster does (the choir at Regensburg sings for Mass on a more weekly basis).  The fact that Westminster usually perfects a polyphonic Ordinary and Gregorian Propers along with choral Vespers most days of the week brings about an incredible cohesion among all of its singers. Regardless, I would still love to see a choir of this quality in every major Catholic church in America.

Finally, I make my usual plea to all pastors, principals and musical directors to give the choir school a chance at your parish.  Think of how much good you could do if every child graduating from your school grew up  with Gregorian chant, simpler polyphony and good solid hymns as part of their spiritual formation.  Change the way they pray and you will change the way the believe!




NOTES FROM THIS ARTICLE:

1   If, like my parish’s soon-to-be choir school, your parish’s choir school ends after the 8th grade, what better way to keep your young male graduates involved in your music program than by having a special rehearsal for them one evening a week where they rehearse alongside other young men their age? The same can be done with the young women.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“When we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.”

— C. S. Lewis

Recent Posts

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  • The Tallis Scholars
  • Music Director Job • $80,000 per year
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