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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · July 22, 2022

PDF Download • Professionally-Scanned “Graduale Romanum” (Schwann, 1908) • 1,129 pages!

This is the “pure” Vatican Edition—technically the only version of the rhythm allowed by Church documents!

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Jeff Ostrowski · July 15, 2022

“Hymn For Mary’s Assumption” (15 August) • By Saint Robert Southwell, Priest & Martyr

Installment 3 • “How Has Nobody Done This Before?” (series)

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Jeff Ostrowski · July 14, 2022

“Truly Wonderful Quote” • Dr. Roger Wagner

“Never apologize for your choir, because they’re as good as you are!”

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Jeff Ostrowski · July 13, 2022

“To go to Mass together will be the light of Sunday for a family.” — Pope Benedict XVI (2005)

Statement by Pope Benedict XVI • Saint Peter’s Square (October, 2005)

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Jeff Ostrowski · July 12, 2022

PDF Download • “Sunday Vespers” (22 pages)

In spite of its imperfections, creating this (draft) booklet required much more effort than I had anticipated.

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Jeff Ostrowski · July 11, 2022

11 July 2022 • FEEDBACK

Someone who heard the CCW plainsong recordings with NOH accompaniment says: “For years I have travelled the continents and crossed the oceans of Gregorian chant in search of a composition and interpretation as sublime as this. The text and the melody are interwoven in a game of mirrors with the interpreters, the singer and the […]

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Jeff Ostrowski · July 11, 2022

Gregorian Chant • Its “True” Rhythm

I’m dumbstruck (with joy) to see that my recent video presentation on plainsong rhythm has garnered quite a number of “views” on VIMEO. I also made the full presentation available on YouTube, and—as I write these words—it has collected 700+ views. How cool is it that folks are still interested in the rhythm of Cantus […]

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Jeff Ostrowski · July 9, 2022

“Do You Know This Hymn Composer?” • Orlando Gibbons (d. 1623)

Installment 2 • “How Has Nobody Done This Before?” (series)

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Jeff Ostrowski · July 8, 2022

“I’ll be back next year … but with my entire choir!”

“The symposium exceeded all of my expectations.” — Pediatrician, Choirmaster, and Mother of Six Children

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Jeff Ostrowski · July 2, 2022

Across the Pacific • Alto is “Raving”

From Asia: “I held choir rehearsal yesterday and one of the choir members (singing Alto) was just raving about how she loved the layout of the Brébeuf Choral Supplement because she didn’t have to look up and down for both music and verse—and she loved the ease with which she could sing her part because […]

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Jeff Ostrowski · June 30, 2022

Alabama Assessment!

We received this evaluation of Symposium 2022 from an Alabama participant: “Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and […]

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Jeff Ostrowski · June 29, 2022

“How Has Nobody Done This Before?” • First Installment

I’ve been encouraged to launch a new series!

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Jeff Ostrowski · June 29, 2022

“Exceeded Every Expectation!” • Mr. O’Brien’s Review

“I attended Symposium this year, and was absolutely blown away.”

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Jeff Ostrowski · June 28, 2022

Photograph • Dom André Mocquereau (d. 1930)

Dom Mocquereau, prior to becoming a monk, was a soldier in the Franco-Prussian War.

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Jeff Ostrowski · June 26, 2022

Our Daily Prayer • Sacred Music Symposium 2022

“My God, my Father, and my All, I am ready and willing to accept from Thy hands this day…”

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Corpus Christi Watershed

President’s Corner

    “Hidden Chant” • For the Ordinary Form

    Not even “GregoBase”—which is incredibly comprehensive—knows that music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“Victoria not only made his professional debut as church organist: he also continued active on the organ bench until the very eve of his death. Indeed, during his last seven years at Madrid (1604-1611) he occupied no other musical post but that of convent organist.”

— Dr. Robert Stevenson (1961)

Recent Posts

  • “Hidden Chant” • For the Ordinary Form
  • PDF Download • “Simple Organ Interludes for Use in the Catholic Church” (108 pages)
  • Dr. Tappan in Rome • “Ubi Caritas”
  • Time and Again We Are Asked…
  • “Citation Needed” • Dom Foote of ICEL

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