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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · August 29, 2022

Heavy Crosses Borne by Choirmasters

In my 25 years as a choirmaster, I’ve witnessed hypocrisy and mistreatment that would make your head spin.

Jeff Ostrowski · August 25, 2022

Have You Done This?

Friends, have you done this yet? I’m talking about subscribing to our free mailing list. We beg you! Do this as soon as possible. Scroll to the bottom of any article, and you will see the place you input your email.

Jeff Ostrowski · August 25, 2022

“New Gregorian Chant Project” • Part 2

Using this coming Sunday (12th Sunday after Pentecost) as an example.

Jeff Ostrowski · August 23, 2022

PDF Download • Organ Accompaniment for Kyrie VIII (“Missa de Angelis”) by Jeff Ostrowski

I consider this my best organ accompaniment … I hope you like it!

Jeff Ostrowski · August 20, 2022

“New Section 2” • (Piecemeal Agnus Dei)

A wonderful way to get volunteers singing SATB polyphony immediately!

Jeff Ostrowski · August 17, 2022

PDF Download • Extremely Rare! — 1913 “Vesperale” by Schwann (954 pages)

Today’s release will go down in history!

Jeff Ostrowski · August 15, 2022

PDF • “Organ Interludes” (Manuals Only)

In graduate school, one is taught a valuable lesson: if you emphasize everything, nothing is emphasized. In other words, putting every other word in bold or italic (or both) wrecks your paper. I never to use the word “best”—but today I make an exception. The book of organ interludes released today by my colleague is […]

Jeff Ostrowski · August 15, 2022

“Wild Accompaniment” • Flor Peeters (Kyrie VIII)

Kyrie “Missa de Angelis”—recorded yesterday by a volunteer choir.

Jeff Ostrowski · August 9, 2022

“Could Women Sing At Mass Before Vatican II?”

Does this sound like a “hymn” to you? Or does it sound like a “chant” composition?

Jeff Ostrowski · August 8, 2022

PDF Download • “Salve Regina” (32 Versions)

In this article, I examine the elusive provenance of what some have called “the most popular piece of plainsong.”

Jeff Ostrowski · August 4, 2022

For the Upcoming Choir Season!

Last week, I posted an SATB choral setting of the SANCTUS in a ‘contemporary’ style. You might want to consider this piece for two reasons: (1) It’s extremely brief; (2) Free rehearsal videos are available for each individual part. The piece is by Father Lhoumeau.

Jeff Ostrowski · August 2, 2022

Sequence For Martin Luther? • (Sung to the melody of “Victimae Paschali Laudes”)

Dr. Luca Ricossa has made a YouTube recording of this Sequence!

Jeff Ostrowski · August 1, 2022

C-SPAN Clip (1988) • “Return of the Latin Mass?”

“I guess we didn’t know what we had until we lost it…” —Special assistant to Nixon, Ford, and Reagan

Jeff Ostrowski · July 30, 2022

PDF Download • “Contemporary Sanctus” (SATB)

This SATB setting by Father Lhoumeau—although contemporary—certainly adheres to the “rule” of Pope Saint John Paul II.

Jeff Ostrowski · July 28, 2022

PDF Comparison Chart • “Which Has More Scripture?” — Ordinary or Extraordinary Form?

The answer surprised me!

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Jesuits have spoiled the work of Christian antiquity, under pretext of restoring the hymns in accordance with the laws of metre and elegant language.”

— M. Ulysse Chevalier (1891)

Recent Posts

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  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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