Sneaky “Salicus” Statements by Solesmes
Let there be no mistake about it: Dom Mocquereau (illicitly) added the “salicus” in hundreds of places where the official edition has none.
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Let there be no mistake about it: Dom Mocquereau (illicitly) added the “salicus” in hundreds of places where the official edition has none.
Although it’s a hideous accompaniment, I’ve added the harmonization by Monsignor Franz Nekes to this collection of nineteen organ accompaniments for the Easter Sunday Sequence: Víctimæ Pascháli Laudes. Once upon a time, Monsignor Nekes was a very popular composer, known as “The German Palestrina.”

Sung according to the official rhythm of the Catholic Church.
“If you begin by telling a man that in a word like 𝐷𝑒𝑢𝑠 the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the only thing accomplished will be to bewilder him thoroughly.” —Father Bewerunge
The organ accompaniment I created for the 3rd Sunday of Lent (“Extraordinary Form”) may now be downloaded, if anyone is interested in this.
This volume has been professionally scanned—and you’ll love the results!
Listening to this Easter Alleluia—an SATB arrangement I made twenty years ago based on the work of Monsignor Jules Van Nuffel—one of our readers left this comment: “I get tears in my eyes each time I sing to this hymn.” I hope this person is weeping for joy!

Jesus Christ “will not snap the staff that is already crushed, nor put out the wick that still smolders.”

By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”
We were mentioned in article in an article by “The Times” (United Kingdom), as you can see here.

“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Father Fortescue
“One person I spoke to frequently—although I never met him…” (?)
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