• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

Three (3) Cheerful Items • “Sacred Music Revolution”

Jeff Ostrowski · April 1, 2023

HE WONDERFUL spiritual classic, The Imitation of Christ, says (bk.1, ch.9): “It is a very great thing to be under obedience, to live under a superior and not to be at our own disposal; for it is much safer to be subject than it is to command. […] Trust not too much to thine own thoughts: but be willing also to hear the sentiments of others. Although thine opinion be good, yet if for God’s sake thou leavest it—to follow that of another—it will be more profitable to thee.” Wise words, to be sure! At the same time, we remember that OUR BLESSED SAVIOR HIMSELF was condemned by Annas and Caiaphas, who were (basically) the highest church leaders at that time.

Focus on the Good • Here at Corpus Christi Watershed, we don’t subscribe to Pollyannaism. With sadness, we see high-ranking clerics who allow (or even embrace) scandalous behavior, give evil commands, and even publicly blaspheme. And yet we believe it’s better to emphasize the positive. And there is so much good in the world! A few days ago, I watched a video showing policemen rushing into an elementary school to save innocent children (just 9 years old) being slaughtered by an active shooter. These men were brave and unselfish. There is good in the world.

Three Examples:

Each day, I speak to musicians and priests all over the world. Believe it or not, tons of “pockets” do exist out there, in which faithful Catholics are promoting authentic sacred music. Today, I would like to share three cheerful examples.

Dr. Calabrese • I was sent an iPhone clip of Dr. Alfred Calabrese conducting a choral piece by composer Daniel Knaggs. I know something about how difficult it is for a microphone to accurately reproduce the rich sound of a choir. It’s almost impossible, because sound waves produced by an ensemble of voices is something physical, and it’s extremely complex. Robert Shaw was correct to call Dr. Calabrese “one of the most talented conductors.” The sound he gets from his singers is amazing. We are so blessed that Dr. Calabrese will be coming to Los Angeles this summer to conduct the sublime Salve Regina by Luca Marenzio at Sacred Music Symposium 2023.

Below is a small excerpt. I don’t know whether the full concert will be released online:

Corrinne May • Not long ago, Corrinne May was featured in Harper’s Bazaar, a famous American magazine. She was described by the magazine as “one of Singapore’s multi-platinum singer-songwriters.” Recently, Corrinne has been doing excellent work with choirs in Singapore. Her most recent project is adapting CANTUS GREGORIANUS from Latin into English. Here is a clip of her conducting an “Agnus Dei” adaptation I did based on the Miserére of Father Gregorio Allegri (d. 1652).

This clip was filmed recently in Singapore:

M To download the PDF score free of charge, go to #7554.

Volunteer Singers in Los Angeles • Working with the volunteer singers at my church is such a bright spot in my life. These are not professional musicians; they all come from the parish. Seeing these Catholics so dedicated to sacred music is truly inspirational. They make huge sacrifices to learn this music. Here’s a recording, taken from our rehearsal last night.

M To access this hymn’s media in the Brébeuf Portal, click here.

Strange But True • That hymn—which is very famous—was actually written by a Protestant named Charles Wesley. His poetry was praised by Father Leslie Rumble, of RADIO REPLIES. For years, I have been saying that if you look hard enough through the Brébeuf Hymnal, you’ll find a few hymns that are not Catholic. Another example would be “Hark! The Herald Angels Sing,” which was included by the Brébeuf editorial team even though it was written by a Protestant.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: MISERERE Gregorio Allegri, Robert Shaw Choral Conductor Last Updated: April 1, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Except the psalms or canonical Scriptures of the new and old Testaments, nothing composed poetically shall be sung in church, as the holy canons command.”

— ‘Council of Braga, 563AD’

Recent Posts

  • “Common” Responsorial Psalm?
  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.