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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Three (3) Cheerful Items • “Sacred Music Revolution”

Jeff Ostrowski · April 1, 2023

HE WONDERFUL spiritual classic, The Imitation of Christ, says (bk.1, ch.9): “It is a very great thing to be under obedience, to live under a superior and not to be at our own disposal; for it is much safer to be subject than it is to command. […] Trust not too much to thine own thoughts: but be willing also to hear the sentiments of others. Although thine opinion be good, yet if for God’s sake thou leavest it—to follow that of another—it will be more profitable to thee.” Wise words, to be sure! At the same time, we remember that OUR BLESSED SAVIOR HIMSELF was condemned by Annas and Caiaphas, who were (basically) the highest church leaders at that time.

Focus on the Good • Here at Corpus Christi Watershed, we don’t subscribe to Pollyannaism. With sadness, we see high-ranking clerics who allow (or even embrace) scandalous behavior, give evil commands, and even publicly blaspheme. And yet we believe it’s better to emphasize the positive. And there is so much good in the world! A few days ago, I watched a video showing policemen rushing into an elementary school to save innocent children (just 9 years old) being slaughtered by an active shooter. These men were brave and unselfish. There is good in the world.

Three Examples:

Each day, I speak to musicians and priests all over the world. Believe it or not, tons of “pockets” do exist out there, in which faithful Catholics are promoting authentic sacred music. Today, I would like to share three cheerful examples.

Dr. Calabrese • I was sent an iPhone clip of Dr. Alfred Calabrese conducting a choral piece by composer Daniel Knaggs. I know something about how difficult it is for a microphone to accurately reproduce the rich sound of a choir. It’s almost impossible, because sound waves produced by an ensemble of voices is something physical, and it’s extremely complex. Robert Shaw was correct to call Dr. Calabrese “one of the most talented conductors.” The sound he gets from his singers is amazing. We are so blessed that Dr. Calabrese will be coming to Los Angeles this summer to conduct the sublime Salve Regina by Luca Marenzio at Sacred Music Symposium 2023.

Below is a small excerpt. I don’t know whether the full concert will be released online:

Corrinne May • Not long ago, Corrinne May was featured in Harper’s Bazaar, a famous American magazine. She was described by the magazine as “one of Singapore’s multi-platinum singer-songwriters.” Recently, Corrinne has been doing excellent work with choirs in Singapore. Her most recent project is adapting CANTUS GREGORIANUS from Latin into English. Here is a clip of her conducting an “Agnus Dei” adaptation I did based on the Miserére of Father Gregorio Allegri (d. 1652).

This clip was filmed recently in Singapore:

M To download the PDF score free of charge, go to #7554.

Volunteer Singers in Los Angeles • Working with the volunteer singers at my church is such a bright spot in my life. These are not professional musicians; they all come from the parish. Seeing these Catholics so dedicated to sacred music is truly inspirational. They make huge sacrifices to learn this music. Here’s a recording, taken from our rehearsal last night.

M To access this hymn’s media in the Brébeuf Portal, click here.

Strange But True • That hymn—which is very famous—was actually written by a Protestant named Charles Wesley. His poetry was praised by Father Leslie Rumble, of RADIO REPLIES. For years, I have been saying that if you look hard enough through the Brébeuf Hymnal, you’ll find a few hymns that are not Catholic. Another example would be “Hark! The Herald Angels Sing,” which was included by the Brébeuf editorial team even though it was written by a Protestant.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: MISERERE Gregorio Allegri, Robert Shaw Choral Conductor Last Updated: April 1, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“It was amusing to read in our papers that German Catholics were now using the vernacular at High Mass. In some parts of Germany they have been doing just that for well-nigh four hundred years! The cathedral in Osnabruck has solemn High Mass every Sunday with the whole chapter present, and the introit Gloria, Credo, Sanctus and Agnus Dei are sung … in German. Imagine, for four hundred years almost!”

— Hans Ansgar Reinhold (Dec. 1944)

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