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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · October 25, 2023

Now Available Online! • 1959 “Organ Accompaniment Book” (233 Pages)

“Occasionally, the English texts for some of the hymns are almost barbaric artistically…” —𝐷𝑜𝑚𝑖𝑛𝑖𝑐𝑎𝑛𝑎 𝐽𝑜𝑢𝑟𝑛𝑎𝑙 (1960)

Jeff Ostrowski · October 23, 2023

Jeff As Organist? • His Attempt…

I’m attempting to record (on the pipe organ) any hymn contained in the Brébeuf Hymnal which doesn’t yet have its own rehearsal video with real voices. You can listen to my latest attempt: a hymn called DEVONSHIRE. For the second verse, I attempted to change the registration. Please let me know what you think. I […]

Jeff Ostrowski · October 23, 2023

“Did One Man Single-Handedly Sabotage the Gregorian Restoration?” • (Part 2 of 2)

Will anyone step forward to defend this?

Jeff Ostrowski · October 20, 2023

Playing Pipe Organ = Very Difficult!

Not every hymn contained in the Brébeuf Hymnal has its own rehearsal video. In the meantime, I’m attempting to provide pipe organ recordings for the missing hymns. Today, I attempted to record COBLENZ, with a harmonization based on Sir Richard R. Terry. You can listen to my recording by clicking here. Whenever the record button […]

Jeff Ostrowski · October 18, 2023

PDF • “Mass Propers in English” (113 pages)

The University of Kansas has made available—as a free PDF document—this 2017 dissertation (113 pages) by Dr. Katherine Schmitz. The full title of the dissertation is: Chanting the Propers: A Comparative Study of Selected English Sources for the Catholic Mass. Dr. Schmitz is a Gregorian Chant scholar who has earned degrees from the University of […]

Jeff Ostrowski · October 18, 2023

“Spotted” • Singaporean Sacred Sounds

I glanced at the audience to see what effect Corrinne’s presentation was making…

Jeff Ostrowski · October 16, 2023

“Breathtaking!” • Hymn for the Souls in Purgatory

“Raising the pitch for the final verse.” (Tag: 𝘛𝘳𝘪𝘤𝘬𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘰𝘶𝘴 𝘤𝘩𝘰𝘪𝘳𝘮𝘢𝘴𝘵𝘦𝘳)

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Jeff Ostrowski · October 15, 2023

Can Nobody Help Us?

We are still searching for someone who can obtain for us a physical copy of either VOLUME 2 or VOLUME 8 of the accompaniments done by the LEMMENSINSTITUUT during the 1940s. Jeff’s personal copies were stolen.

Jeff Ostrowski · October 13, 2023

“Is This an Error?” • The Answer Is Complicated

Text underlay in Renaissance polyphony: Six (6) considerations.

Jeff Ostrowski · October 12, 2023

Can You “Name That Hymn” (From The Middle)?

Purists would absolutely hate this!

Jeff Ostrowski · October 12, 2023

12 October 2023 • FEEDBACK

One of the more colorful emails we’ve received: “Jeff, I often disagree with your articles, but let me give credit where credit is due. You are surely the only person I know who could somehow tie together John F Kennedy, Lyndon B Johnson, Senator Barry Goldwater, and sacred music!” [The article she references is called Must […]

Jeff Ostrowski · October 12, 2023

Responsorial Psalm • “Eight Options”

In all seriousness, this article deals with some very dry topics. When I say “dry,” I mean technical (or even “boring”). Therefore, I wasn’t really expecting anyone to click on it. I was pleasantly surprised earlier this morning to see that it’s been one of our most highly downloaded articles over the last two weeks!

Jeff Ostrowski · October 11, 2023

Cardinal Tobin says excluding EF Catholics is “good” so long as they’re not “banished” completely

The exchange with Diane Montagna was caught on video! Jeff Ostrowski also includes two personal stories of exclusion.

Jeff Ostrowski · October 10, 2023

Young Girl Imitates Jeff Ostrowski Conducting!

They say imitation is the highest form of flattery.

Jeff Ostrowski · October 10, 2023

“I Hate Hearing It, but I Love It?” • Honesty About Church Music (Examples Provided)

When the bell rang (signaling examination of conscience) all the seminarians would immediately drop their pencils, even if they were in the middle of writing a sentence.

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • PDF Download • Palestrina’s “Ave Maria”
  • PDF Download • “2025 Booklet for Participants for the Sacred Music Symposium” — (155 pages)
  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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