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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · September 24, 2024

PDF Download • “Entrance Chant” in English (26th Sunday in Ordinary Time, Year B)

Sometimes one hears the objection: “But Gregorian Chant was not originally accompanied on the organ…”

Jeff Ostrowski · September 23, 2024

Priest Demands Musician’s Resignation • (No Reason Given)

“Our priest was delighted with the program, or so it appeared. During Holy Week he asked me to resign (which I did). He gave no reason and would not even discuss the issue.”

Jeff Ostrowski · September 19, 2024

Music List • (25th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I have prepared for this coming Sunday.

Jeff Ostrowski · September 16, 2024

“Entrance Chant” • For Sunday (22-Sep-2024)

This one’s in Mode 4—and it imitates the authentic Gregorian chant in a magnificent way.

Jeff Ostrowski · September 14, 2024

A Real Advantage!

Before the internet, certain translators could easily “pull the wool over” unsuspecting eyes.

Jeff Ostrowski · September 12, 2024

Music List • (24th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I have prepared for this coming Sunday.

Jeff Ostrowski · September 11, 2024

Musical Setting • “Confíteor Déo Omnipoténti”

The participants went nuts over this musical setting. They just couldn’t get enough of it!

Jeff Ostrowski · September 10, 2024

PDF Download • “Entrance Chant” for the 24th Sunday in Ordinary Time (Plainchant in English)

Today I discuss a myth about accompanying plainsong on the pipe organ.

Jeff Ostrowski · September 7, 2024

Music List • (23rd Sund. Ordinary Time)

This coming Sunday (8 September 2024) is the 23rd Sunday in Ordinary Time, Year B. Some have expressed interest in seeing my “ORDER OF MUSIC.” If such a thing be appealing to you, it can be downloaded as a PDF file.

Jeff Ostrowski · September 6, 2024

Communion • (23rd Sunday in Ordinary Time)

This coming Sunday (23rd Sunday in Ordinary Time) we’re singing the Communion antiphon in English as adapted by the SISTERS OF THE MOST PRECIOUS BLOOD (O’Fallon, Missouri). Their enormous body of work is usually referred to as The O’Fallon Propers. Click here to download this Communion as a PDF file. (For the record, I couldn’t […]

Jeff Ostrowski · September 6, 2024

“Spanish Entrance Hymn” • (You Might Enjoy This)

Javier R. wrote to us: “One thing that caught my eye—and which I’ve been wrestling with—is how to fit Hymns with Antiphons, especially during the entrance procession.”

Jeff Ostrowski · September 5, 2024

“Entrance Chant” • For Sunday (8-Sep-2024)

Coming up fast is Sunday, 8 September 2024, which is the 23rd Sunday in Ordinary Time. Here’s the PDF file for the ENTRANCE ANTIPHON—in Gregorian notation on five lines—which we’ll be singing. You can also download this organ accompaniment which corresponds to that file. Plainchant scholars will be interested in the ancient version it mimics […]

Jeff Ostrowski · August 31, 2024

Musical Lineup • (22nd Sund. Ordinary Time)

Jeff’s musical lineup for Sunday, 1 September 2024.

Jeff Ostrowski · August 30, 2024

PDF • “Lamb of God” Harmonization

Harmonized—and carefully notated—in Spanish, English, and Latin.

Jeff Ostrowski · August 30, 2024

Repository • “Spanish Order of Music” (Sainte Marie)

I’ve been creating these for our Spanish Masses. They aren’t perfect—but I’ve also seen worse.

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Saint Phillip Neri founded a religious congregation called the Oratory. Animuccia was involved from early on and remained “maestro di capella” of the Oratory until his death. The Oratory was able to attract many musicians who volunteered their services, including the famous singer Francesco Soto de Langa from the Capella Sistina, the composer Palestrina, and probably the composer Tomás Luis de Victoria who lived in the same house as St. Phillip Neri for five years.

— Source Unknown

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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