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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · July 12, 2025

“Music List” • 15th in Ordinary Time (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Jeff Ostrowski · July 10, 2025

15th Sunday in Ordinary Time (Year C)

The Offertory this coming Sunday is particularly beautiful.

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Jeff Ostrowski · July 9, 2025

Music Director Job • $80,000 per year

My pastor was elevated to this basilica two weeks ago.

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Jeff Ostrowski · July 7, 2025

New “Latin/English Missal” for the Novus Ordo

This English/Latin missal is being created by several priests and seminarians.

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Jeff Ostrowski · July 6, 2025

Simplest “Agnus Dei” Ever Published

For organ and voice, some have called this “the simplest setting ever composed.”

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Jeff Ostrowski · July 5, 2025

Bishop François Charrière Vs. Hannibal Bugnini

Bugnini felt his modifications were “desired by all.”

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Jeff Ostrowski · July 5, 2025

14th Sunday in Ordinary Time (Year C)

The chants have been posted!

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Jeff Ostrowski · July 2, 2025

Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

Including a group photograph of Sacred Music Symposium 2025.

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Jeff Ostrowski · July 1, 2025

Bugnini’s Statement (6 November 1966)

More is revealed each day.

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Jeff Ostrowski · June 30, 2025

(Rehearsal Clips) • Sacred Music Symposium 2025

Even if I live a hundred years, I’ll never forget last week’s conference!

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Jeff Ostrowski · June 22, 2025

PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”

There’s something thrilling about soprano descants!

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Jeff Ostrowski · June 19, 2025

“Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”

A few days ago, Dominique Gatté released something quite extraordinary.

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Jeff Ostrowski · June 18, 2025

PDF Download • Palestrina’s “Ave Maria”

Including rehearsal videos.

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Jeff Ostrowski · June 17, 2025

PDF Download • “2025 Booklet for Participants for the Sacred Music Symposium” — (155 pages)

We feel this conference will be one for the history books!

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Jeff Ostrowski · June 13, 2025

Luis Martínez Must Go!

This notice shows that in Seville, as elsewhere, polyphonic singers clustered around a large open choirbook set on a stand in the middle of the grilled choir-enclosure.

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

Recent Posts

  • “Holy, Holy, Holy” transposed lower
  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”
  • A Popular “Gloria” … in Dutch?
  • From Rome • “International Week of Sacred Music”

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