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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

Jeff Ostrowski · June 4, 2025

ITHOUT A DOUBT, Hannibal Bugnini would have been infuriated by the mind-boggling growth of the MISSALE VETUSTUM over the last 25 years. Indeed, Bugnini revealed his true thoughts in a 29-Jan-1969 letter, having become enraged by an article in L’Osservatore Romano by Hubert Jedin defending traditional worship. In that letter, Bugnini claimed that until the liturgical reforms of the 1960s (!) “millions and hundreds of millions of the faithful” had failed to “achieve worship in spirit and truth.” Bugnini said that the great saints—such as Isaac Jogues, John Vianney, John Bosco, Ignatius of Loyola, Thomas Aquinas, Francis of Assisi, and so forth—had celebrated Mass using “meaningless sounds.” Bugnini then insisted that the venerable Roman Rite (which produced so many saints for 1,500 years) was characterized by:

“a lack of understanding, ignorance, and
the ‘dark night’ of a worship that lacks a face
and light, at least for those out in the nave.”

His brazen letter made explicit what clever people had known all along: viz. Bugnini considered the Catholic saints over the last 1,500 years to be imbeciles. But Hannibal Bugnini did not consider himself unenlightened like the great saints (in his view) were. With his superior intellect, Bugnini believed he’d rescued Catholic congregations from the “dark night”—his term—which had lasted centuries.

Banished By Popes • Having been ‘found out’ by Pope Saint John XXIII, in October of 1962 Bugnini was removed from his teaching position at the Pontifical Lateran University, but was ‘rehabilitated’ when John XXIII died. After about ten years, Pope Saint Paul VI ‘found out’ about Bugnini’s true self and attempted to banish him to Uruguay—but Bugnini refused (in disobedience). Then Paul VI ordered him to Tehran (Iran). Alfons Cardinal Stickler summarized the matter as follows: “For all the work that Bugnini did on the liturgical reform he should have been at least a cardinal. Instead he was removed.”

Amazing Growth • In spite of all the actions taken by the notoriously duplicitous Bugnini, the Traditional Latin Mass has grown exponentially since the 1990s. Moreover, I don’t know a single serious Catholic willing to defend the idea that Bugnini was “enlightened” about the sacred liturgy while the great heroes of the Catholic Faith were liturgical imbeciles. Over the last four years, some clerics in Rome—in anguish over the popularity of the TLM—have attempted to strangle its growth … but it’s difficult to see their efforts being successful in the long run. If the TLM could survive the 1980s, it will surely weather this current storm.

Our Parishioner • A young man who grew up in our parish—Father Michael Caughey—was ordained a few days ago for the Priestly Fraternity of Saint Peter. I have been helping to provide music for his Solemn Masses (offered in the Extraordinary Form). On Monday night, Father Caughey offered Solemn Mass at Saint Mary’s in Muskegon. Our volunteer choir sang so beautifully for the Mass:

More Photographs:
Below are some splendid
photographs from that Mass,
taken by my wife, Cynthia:

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And here’s an excerpt from the POSTLUDE:

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Archbishop Hannibal Bugnini, Extraordinary Form 1962 Missal, Missale Vetustum Last Updated: June 5, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

According to the Instruction “Musicam sacram” of 5 March 1967, Article 34 §1, the polyphonic “Ordinarium Missae” can in the future still be sung suetis normis, “according to the customary norms,” i.e. by the choir. In fact, this form of the high Mass is placed in high relief compared to the other forms, among which the congregationally sung Gregorian chant Mass deserves our special attention.

— Monsignor Overath (President, “Consociatio Internationalis Musicæ Sacræ” founded by Pope Saint Paul VI

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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