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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

Jeff Ostrowski · June 4, 2025

ITHOUT A DOUBT, Hannibal Bugnini would have been infuriated by the mind-boggling growth of the MISSALE VETUSTUM over the last 25 years. Indeed, Bugnini revealed his true thoughts in a 29-Jan-1969 letter, having become enraged by an article in L’Osservatore Romano by Hubert Jedin defending traditional worship. In that letter, Bugnini claimed that until the liturgical reforms of the 1960s (!) “millions and hundreds of millions of the faithful” had failed to “achieve worship in spirit and truth.” Bugnini said that the great saints—such as Isaac Jogues, John Vianney, John Bosco, Ignatius of Loyola, Thomas Aquinas, Francis of Assisi, and so forth—had celebrated Mass using “meaningless sounds.” Bugnini then insisted that the venerable Roman Rite (which produced so many saints for 1,500 years) was characterized by:

“a lack of understanding, ignorance, and
the ‘dark night’ of a worship that lacks a face
and light, at least for those out in the nave.”

His brazen letter made explicit what clever people had known all along: viz. Bugnini considered the Catholic saints over the last 1,500 years to be imbeciles. But Hannibal Bugnini did not consider himself unenlightened like the great saints (in his view) were. With his superior intellect, Bugnini believed he’d rescued Catholic congregations from the “dark night”—his term—which had lasted centuries.

Banished By Popes • Having been ‘found out’ by Pope Saint John XXIII, in October of 1962 Bugnini was removed from his teaching position at the Pontifical Lateran University, but was ‘rehabilitated’ when John XXIII died. After about ten years, Pope Saint Paul VI ‘found out’ about Bugnini’s true self and attempted to banish him to Uruguay—but Bugnini refused (in disobedience). Then Paul VI ordered him to Tehran (Iran). Alfons Cardinal Stickler summarized the matter as follows: “For all the work that Bugnini did on the liturgical reform he should have been at least a cardinal. Instead he was removed.”

Amazing Growth • In spite of all the actions taken by the notoriously duplicitous Bugnini, the Traditional Latin Mass has grown exponentially since the 1990s. Moreover, I don’t know a single serious Catholic willing to defend the idea that Bugnini was “enlightened” about the sacred liturgy while the great heroes of the Catholic Faith were liturgical imbeciles. Over the last four years, some clerics in Rome—in anguish over the popularity of the TLM—have attempted to strangle its growth … but it’s difficult to see their efforts being successful in the long run. If the TLM could survive the 1980s, it will surely weather this current storm.

Our Parishioner • A young man who grew up in our parish—Father Michael Caughey—was ordained a few days ago for the Priestly Fraternity of Saint Peter. I have been helping to provide music for his Solemn Masses (offered in the Extraordinary Form). On Monday night, Father Caughey offered Solemn Mass at Saint Mary’s in Muskegon. Our volunteer choir sang so beautifully for the Mass:

More Photographs:
Below are some splendid
photographs from that Mass,
taken by my wife, Cynthia:

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And here’s an excerpt from the POSTLUDE:

Here’s the direct URL link.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Archbishop Hannibal Bugnini, Extraordinary Form 1962 Missal, Missale Vetustum Last Updated: June 5, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The liturgy needed reform by 1965; there was no call for dismantling it. It was intended that the vernacular would enhance the Latin, not supplant it. It was not, emphatically, the mind of the Council Fathers to jettison Gregorian Chant, or to encourage the banal secularization of Church music, so as now to surpass in crudity the worst aberrations of the Howling Pentecostals.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (9 July 1971)

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  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

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