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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Corpus Christi Watershed

Corpus Christi Watershed · August 24, 2024

1950s Seminary Film

Thirty-six minutes of beauty!

Corpus Christi Watershed · August 21, 2024

Famous Italian Actor Regrets Aborting Son

“I would have liked you to be lying under the covers during a storm, silent so you could hear the sound of the rainfall.” —Andrea Roncato

Corpus Christi Watershed · August 11, 2024

(Chicago) • Upcoming Sacred Music Workshop!

Featuring as presenters Jeffrey Ostrowski and Kevin Allen.

Corpus Christi Watershed · July 16, 2024

PDF Download • “Discomforts Of Transition”

We’d be grateful if a reader could determine the precise year this bizarre pamphlet appeared.

Corpus Christi Watershed · July 4, 2024

“Colorado Sacred Music Conference” (2024)

Exploring ways to build a successful music program grounded in the truth and beauty of the Catholic tradition.

Corpus Christi Watershed · June 3, 2024

We’ve Heard From Sister Anne Flanagan, FSP!

Some believe this to be the Church’s most ancient 𝒗𝒆𝒓𝒏𝒂𝒄𝒖𝒍𝒂𝒓 melody.

Corpus Christi Watershed · May 27, 2024

(Sad & Scandalous) • Catholic Denied Holy Communion Because He Knelt

We seek to verify the name of this priest.

Corpus Christi Watershed · April 29, 2024

“Reader Feedback” • 29 April 2024

“No musician in our parish (and probably our archdiocese) is paid, despite the many hours we put in.” —Charlotte M.

Corpus Christi Watershed · April 22, 2024

Fundraiser Update From CCW President

“I’m a newly ordained priest. In seminary, we constantly used stuff from your website to help us learn things.” —College Station, Texas

Corpus Christi Watershed · April 12, 2024

Dr. Chapp Interviews Father Uwe Michael Lang

Posted on 11 April 2024: “Sacred Liturgy in the Thought of Joseph Ratzinger”

Corpus Christi Watershed · March 25, 2024

“Spotted in the Wild” • (CCWatershed Members)

This clip was sent to us. The conductor is Martin Baker!

Corpus Christi Watershed · March 25, 2024

Clarence Thomas Speaks About The Eucharist

Justice Clarence Thomas attended the seminary for several years, including “Conception” (north of Kansas City).

Corpus Christi Watershed · March 24, 2024

PDF Download • “Holy Week Music Schedule” • Saint Mary’s in Norwalk, Connecticut

Expect to hear Morales, Palestrina, Victoria, Pierre de la Rue, Tallis, Haydn, Gounod, Rovetta, Lassus, Byrd, Senfl, Taverner, Wingham, and more.

Corpus Christi Watershed · March 15, 2024

Dr. Alfred Calabrese Conducts In Boston Cathedral

“To Richard Clark, music director of the Cathedral of the Holy Cross in Boston, few sounds are as joyful to hear as over 100 children singing in unison…”

Corpus Christi Watershed · March 14, 2024

“Lenten Polyphony for Two Voices”

On 28 February 2024, we posted this article with two women singing at Mass. Specifically, they were singing a piece for Lent called “Open, O Hard and Sinful Heart.” Since that time, the video has garnered thousands of views on YouTube and reached more than 34,000 on Facebook. If you’d like to download a special […]

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“I am of the opinion, to be sure, that the old rite should be granted much more generously to all those who desire it. It’s impossible to see what could be dangerous or unacceptable about that. A community is calling its very being into question when it suddenly declares that what until now was its holiest and highest possession is strictly forbidden and when it makes the longing for it seem downright indecent.”

— Cardinal Ratzinger, 1997

Recent Posts

  • Important Quote by a Church Musician
  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This

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