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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Reader Feedback” • 29 April 2024

Corpus Christi Watershed · April 29, 2024

Jeff Ostrowski Writes: “We love receiving messages from readers. The following email—from a lady named Charlotte—came in response to an article about wedding prices posted on 19 April 2024. The document I posted seems to have been welcome; it was downloaded more than 1,240 times. I never know which posts will be of interest to our readers; e.g. I wish I could get 1,240 people to watch the (free) 51-minute introduction to my seminar.”

The following came from Charlotte M.
[We usually redact names for anonymity’s sake.]

EAR JEFFREY: Thanks so much for your recent article about wedding prices. I loathe playing at weddings. The compensation is always too low for what we’re asked to do. Our parish only suggests $125 per musician (accompanist or cantor) which is minuscule considering my husband and I paid our musicians $100 each nearly 20 years ago! I’m not paid any salary for my services on Sunday, despite accompanying two Masses most weekends. Plus, I direct a children’s choir. No musician in our parish (and probably our archdiocese) is paid, despite the many, many hours we put in. But seeing your suggested payments makes me realize I could ask for more. Perhaps I will even get brave enough someday to ask for a small stipend for my regular Sunday work. Weddings I loathe … mainly because it’s all about the bride’s “perfect day”, and I don’t think a single wedding has happened without at least one inappropriate song request (despite my lengthy standard email full of suggestions and YouTube links to more appropriate material). I’m left as the “bad guy” when I refuse such requests. I attend an Ordinary Form parish, meaning most people who get married here do not have a serious attachment to our faith (I’m sorry to report). To top it all off, I frequently am forced to “chase down” couples for payment, although I like your idea of them paying 30 days in advance.

Funerals, on the other hand, I love. They are, in a sense, no less time-consuming for me, but it’s time I spend joyfully. The most common scenario is that, sadly, the children and grandchildren of the deceased are no longer practicing their faith, but having a funeral Mass was important to their loved one. I take the time to walk them through the Mass and what music is available to them to pick. When they are at a genuine loss for what to pick, I will ask questions to get to know their mom/dad/grandparents and ask about what kinds of things they had at home: Did they have a favourite Rosary? A statute of Mary? What kind of art did they display (sometimes gives clues to a devotion to a saint, etc.)? I can usually zero in on hymns that will light up their face and have meaning. It’s a journey I love walking with them. Plus, I am always paid on time and sometimes find extra in the envelope … so that’s a nice change! I really enjoy this type of post in which you share the nitty-gritty of the mechanics of how you do your job. A lot of us either make it up as we go along, or inherit a system of “well, that’s how it’s always been”—which is frustrating to say the least! Now that my busy season for my paying job is coming to an end for another year—I do admin work for my local performing arts festival, because as many musicians know, it’s hard to have “playing music” as your only job!—I might actually have time to devote to your seminar! Thanks for your organization and may God bless you.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Wedding Nuptial Mass Music, CCWatershed Feedback, Reader Feedback Corpus Christi Watershed Last Updated: August 5, 2024

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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  • PDF Download • Communion (4th Snd. Lent)
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