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Views from the Choir Loft

Archives for April 2024

Jeff Ostrowski · April 29, 2024

PDF Download • Simplified Accompaniment for the famous Hymn: “Praise To The Lord”

According to Monsignor Franz Stemmer, the famous hymn “Praise to the Lord” originally came from the 𝘚𝘵𝘳𝘢𝘭𝘴𝘶𝘯𝘥 𝘎𝘦𝘴𝘢𝘯𝘨𝘣𝘶𝘤𝘩 (1665).

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Corpus Christi Watershed · April 29, 2024

“Reader Feedback” • 29 April 2024

“No musician in our parish (and probably our archdiocese) is paid, despite the many hours we put in.” —Charlotte M.

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Jeff Ostrowski · April 29, 2024

Organ Accompaniment Booklet (20 pages)

This coming Sunday in the Extraordinary Form will be the Fifth Sunday after Easter. Each week, everyone can freely visit this page, downloading such booklets (as it were) directly from the source. Nevertheless, I’d like to draw your attention to the ORGAN ACCOMPANIMENT BOOKLET (20 pages) for Vespers in the Extraordinary Form: Dominica V Post […]

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Jeff Ostrowski · April 25, 2024

Random Psalm Tone! • (1962 Weddings)

I believe it’s better to sing a Psalm Tone with excellence rather than attempt the authentic CARMEN GREGORIANUM (Gregorian Chant) in a plodding, lifeless, poorly-executed way. To that end, I have created this Fifth Mode Psalm Tone version for the COMMUNION CHANT assigned to 1962 Missal weddings. The Nuptial Mass is sometimes called “Pro Sponso […]

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Jeff Ostrowski · April 25, 2024

Update (25 April) • “Forthcoming Spanish Hymnal”

“When our people have the courage to break resolutely with a bad tradition, there are unworked mines of religious poetry in the old hymns that we can use in translations.” —Father Adrian Fortescue

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Jeff Ostrowski · April 24, 2024

Three Easter Hymns Sung Three Different Ways!

There was deep division in Chicago between those who cheered for the Cubs and those who cheered for the White Sox.

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Dr. Lucas Tappan · April 23, 2024

The Catholic Academy of Sacred Music (Kansas)

I can affirm that our first concert was a resounding success: everything from Allegri’s 𝑀𝑖𝑠𝑒𝑟𝑒𝑟𝑒 to the 10-year-old boy playing Bach.

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Corpus Christi Watershed · April 22, 2024

Fundraiser Update From CCW President

“I’m a newly ordained priest. In seminary, we constantly used stuff from your website to help us learn things.” —College Station, Texas

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Veronica Moreno · April 22, 2024

¡Anuncio! • “Nuevo Himnario en Español”

Todavía no hemos escogido un título para nuestra colección.

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Jeff Ostrowski · April 21, 2024

Near “Occasions” of Sin, Forgiveness, Psalms, Hymns, and the Artistic Temperament

Rachmaninoff never forgave Prokofiev for this, as anyone with a melancholic temperament will understand.

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Dr. Gregory Hamilton · April 20, 2024

Dr. Hamilton • “Totally Random (But Hopefully Not Useless) Thoughts About Choirs”

We must gauge rehearsal time so as not to totally bore the skilled members, while still making sure to do what’s needed to help lesser-skilled members.

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Jeff Ostrowski · April 19, 2024

PDF Download • “Wedding Sheet” (Showing Prices)

Being hired as organist or choirmaster for Catholic weddings can be stressful.

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Jeff Ostrowski · April 18, 2024

Can Your Choir Members Do This?

How many of your choir members can do this? (a) Recite the Tantum Ergo from memory; (b) Explain where the piece comes from and when specifically—during HOLY WEEK—it’s used; (c) Provide a literal translation (from memory, without looking in a book). This nifty one-page sheet (PDF) might be worth downloading if you’re worried some of […]

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Jeff Ostrowski · April 17, 2024

Announcement! • “New Spanish Hymnal”

We seek native speakers willing to help proofread.

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Jeff Ostrowski · April 16, 2024

PDF Download • Spanish Responsorial Psalm — “17th Sunday in Ordinary Time” (Year B)

We must never let criticism by ‘haters’ bother us. We must strive to block them from our minds.

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

Recent Posts

  • “Now Thank We All Our God” • (Simplified Keyboard Accompaniment)
  • Test Your Gregorian Chant Knowledge!
  • “Worst Teacher the World Has Ever Seen”
  • Eucharistic Prayer No. 2 on Sundays?
  • “Panis Angelicus” • Organ Accompaniment (7 Pages)

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