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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for August 2022

Jeff Ostrowski · August 15, 2022

“Wild Accompaniment” • Flor Peeters (Kyrie VIII)

Kyrie “Missa de Angelis”—recorded yesterday by a volunteer choir.

Daniel Tucker · August 9, 2022

5 Ways to Make Your Music Program More Marian

The Church rightly promotes Marian devotion during the months of May and October, but here are five tips for making your music program more Marian now.

Jeff Ostrowski · August 9, 2022

“Could Women Sing At Mass Before Vatican II?”

Does this sound like a “hymn” to you? Or does it sound like a “chant” composition?

Corpus Christi Watershed · August 8, 2022

“The Memory Will Stay With Me Forever.” —Helen Tsang, who flew 7,797 miles

“Vespers was crafted and conducted masterfully. We chanted each of the psalms in monastic style, alternating the verses between the two sides of the choir. ”

Jeff Ostrowski · August 8, 2022

PDF Download • “Salve Regina” (32 Versions)

In this article, I examine the elusive provenance of what some have called “the most popular piece of plainsong.”

Jeff Ostrowski · August 4, 2022

For the Upcoming Choir Season!

Last week, I posted an SATB choral setting of the SANCTUS in a ‘contemporary’ style. You might want to consider this piece for two reasons: (1) It’s extremely brief; (2) Free rehearsal videos are available for each individual part. The piece is by Father Lhoumeau.

Richard J. Clark · August 4, 2022

Cardinal O'Malley Cathedral of the Holy Cross

The continuity and vulnerability of the Novus Ordo

There is great continuity between the Traditional Latin Mass and the Novus Ordo. In light of Pope Francis’ “Desiderio desideravi” and “Traditionis custodes” this deserves a closer look.

Corpus Christi Watershed · August 3, 2022

“Me? A Singer?” – Harrison’s Personal Testimony

“A year ago I knew very little about sacred music, but what a marvelous journey it’s been!” — Harrison Hoge

Keven Smith · August 2, 2022

Need Easy Organ Pieces? Try This Little-Known Composer

Add these fuguettes and trios to your repertoire with minimal practice time.

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Jeff Ostrowski · August 2, 2022

Sequence For Martin Luther? • (Sung to the melody of “Victimae Paschali Laudes”)

Dr. Luca Ricossa has made a YouTube recording of this Sequence!

Corpus Christi Watershed · August 2, 2022

QfoR (“Questions From Our Readers”) • A New Series

A choirmaster in Alabama who feels “frustrated and confused” wrote to us.

Jeff Ostrowski · August 1, 2022

C-SPAN Clip (1988) • “Return of the Latin Mass?”

“I guess we didn’t know what we had until we lost it…” —Special assistant to Nixon, Ford, and Reagan

Corpus Christi Watershed · August 1, 2022

“From a Recent Convert” • Symposium Review

“My dad had passed away the previous week, and the Symposium brought me closer to God at a time when I needed it the most.…” — Eric L.

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Always remember: God opposes the proud.” (leaning into the microphone) “…even when they’re right!”

— ‘Scott Hahn, speaking in Plano, TX’

Recent Posts

  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)
  • PDF • “Dr. Adrian Fortescue: Priest & Musician”

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