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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Archives for November 2021

Richard J. Clark · November 30, 2021

Fauré Requiem Mass • Saint Paul’s Choir School 

A popular work often performed in concert, when sung within Mass, it offers boundless transcendence.

Jeff Ostrowski · November 29, 2021

PDF Booklet • First Sunday of Advent Vespers (Organ Accompaniment) — Draft Copy

It may be an ugly booklet, but it got the job done yesterday.

Jeff Ostrowski · November 28, 2021

“O Come, O Come Emmanuel” • Original Setting in Latin for Two Voices

Many centuries ago, this was a “trope” (poetic extension) for a Responsory.

Andrea Leal · November 27, 2021

PDF Download • “Two Easy Advent Hymns”

When you read through the translation, you’ll agree this could certainly be sung during Sunday Masses in Advent…

Richard J. Clark · November 26, 2021

From the Bell Tower

Boston Cathedral Singers’ “From the Bell Tower” on “Sounds from the Spires”

PODCAST! — The Boston Cathedral Singers’ album From the Bell Tower was featured on “Sounds from the Spires” on SIRIUS XM 129 Radio, The Catholic Channel.

Jeff Ostrowski · November 16, 2021

16 November 2021 • So Valuable!

If people only knew about this this website, they would be amazed. It is called the “snippets” index, and I could not live without it. We’ve tried everything we can think of to let people know about it—and we’ll keep trying—but even some of our most faithful readers don’t realize that hidden treasure!

Jeff Ostrowski · November 15, 2021

Fabulous Repertoire For Tiny Choirs!

During November, our parish sings hymns to Christ the King, All Saints, and the Faithful Departed.

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Jeff Ostrowski · November 12, 2021

“For The Souls In Purgatory” • A Catholic Hymn

The month of November is dedicated to the souls in Purgatory.

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Jeff Ostrowski · November 11, 2021

11 November 2021 • “Iste Confessor” Hymn

The brief little SATB piece, O Pater Sancte (PDF), has been requested by many. The full title is O Pater Sancte, Mitis Atque Pie (“Father most holy, gracious and forgiving”). The melody occurs many times in the The Saint Jean de Brébeuf Hymnal—including on page 724 with a fabulous translation by Monsignor Knox. The tune […]

Jeff Ostrowski · November 11, 2021

Cardinal Cupich Responds To Our Article!

Cardinal Antonelli: “I have the impression that much has been conceded to the Protestant mentality, especially in matters regarding the sacraments.”

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Jeff Ostrowski · November 8, 2021

Missa “My Little Pony” by Dan Schutte • Its Pedigree

A USCCB statement: singing psalms at Mass “may create problems” … ?

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Richard J. Clark · November 5, 2021

From the Bell Tower

From the Bell Tower – Boston Cathedral Singers Release First Album

Four singers at the Cathedral of the Holy Cross sought artistic refuge in the Cathedral bell tower where its bells toll each day. The new album features new music by Kevin Allen and Richard J. Clark

Jeff Ostrowski · November 3, 2021

PDF Download • “Four Easy Pieces” (Smaller Choirs)

Including more information about the “Pope Pius XII Hymnal.”

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Jeff Ostrowski · November 2, 2021

Cardinal Cupich Publicly Demands Greater Use Of Latin & Gregorian Chant At Chicago Masses

No sane person would claim that tunes by Marty Haugen, David Haas, or Rory Cooney constitute polyphony.

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Jeff Ostrowski · November 1, 2021

A Deaf Composer? A Deaf Conductor?

When I’m sick with a cold, my hearing becomes clogged and I can’t hear properly—which is a choirmaster’s worst nightmare.

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Thus, by the celebration of a single Mass (in which he offers Jesus Christ in sacrifice), a priest gives greater honor to the Lord than if all men by dying for God offered to him the sacrifice of their lives. By a single Mass, he gives greater honor to God than all the angels and saints—along with the Blessed Virgin Mary—have given or shall give to him; for their worship cannot be of infinite value, like that which the priest celebrating on the altar offers to God.”

— Saint Alphonsus Liguori

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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