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Views from the Choir Loft

Cardinal Cupich Responds To Our Article!

Jeff Ostrowski · November 11, 2021

AST WEEK we published an article which pointed out several errors made by Cardinal Cupich. His Excellency, in the spirit of dialogue, seems to have published a response to what we wrote. However, the good Cardinal seems be “deflecting”—in a somewhat clumsy manner—from the items we put forward. Therefore, perhaps we should begin a series of articles underscoring the important items Cardinal Cupich failed to address.

Indisputable Facts: The Second Vatican Council mandated—but did not oversee—a reform of the sacred liturgy. Many of the Council fathers had died by the time the 1970 Missal was released (more than half a decade later). The Second Vatican Council explicitly mandated important items which the reformers ignored. Full stop.

“Despising Everything” An indisputable expert vis-à-vis the 1960s liturgical reforms was Ferdinando Cardinal Antonelli, who was named “Secretary of the Conciliar Commission on the Liturgy” on 4 October 1962. The Cardinal’s words are worth pondering:

“The CONCILIUM is merely an assembly of people, many of them incompetent, and others well advanced on the road to novelty. The discussions are extremely hurried. Discussions are based on impressions and the voting is chaotic. […] Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.”

The Most Severe Deficiency: Much has been written (by the reformers themselves) about the great haste which characterized much of their work. In the personal notes of Cardinal Antonelli, however, we see another deep concern of his: viz. the lack of theologians. On 25 July 1968, Antonelli noted:

“In the CONCILIUM, there are few Bishops with a specifically liturgical expertise, and very few are really theologians. The most acute deficiency in the CONCILIUM is the lack of theologians. In fact, it could be said that they had been excluded altogether, which is something dangerous. In the liturgy, every word and every gesture expresses an idea which is always a theological idea. […] And this has very serious consequences.”

“Every Word And Gesture” In the private diaries of Cardinal Antonelli, he says of Father Annibale Bugnini:

“I could say many things about this man. […] While I would like to be mistaken, I can say that his greatest lacuna was his lack of any theological training or sensibility. This was a grave defect and lacuna because in the liturgy, every word and every gesture expresses a theological idea. I have the impression that much has been conceded to the Protestant mentality, especially in matters regarding the sacraments.”

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NOTES FROM THIS ARTICLE:

*   Source of these quotations:
Father Nicola Giampietro’s Il cardinale Giuseppe Ferdinando Antonelli e gli sviluppi della riforma liturgica dal 1948 al 1970 (Pontifical Institute of Sacred Liturgy, 1996).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Annibale Bugnini Reform, Archbishop Blase J Cupich, Cardinal Ferdinando Giuseppe Antonelli OFM, Traditionis Custodes Motu Proprio Last Updated: January 3, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The recitation of the Office of the Dead, the Christmas Office, the spectacle of the days of Holy Week, the sublime chant of the Exultet, beside which the most intoxicating accents of Sophocles and Pindar seemed to me to be insignificant—all of this overwhelmed me with respect and joy, with gratitude, repentance, and adoration!”

— Paul Claudel (1913)

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