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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for December 2020

Keven Smith · December 14, 2020

How to Help Children Match Pitch (part III)

Three more tips on what to do and how to act with your young music students. Learn the secret ingredient of success!

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Jeff Ostrowski · December 13, 2020

“Rorate Mass” (FSSP) • 12 December 2020

Attendance was standing room only. Afterwards, the children presented roses to Mary—as the entire parish prayed the Rosary—and then we consecrated California to Jesus Christ.

Jeff Ostrowski · December 12, 2020

“Homily — 3rd Sunday of Advent, Year B” • Father Valentine Young, OFM

As the Gloria during Mass suggests, we should “thank Him simply because of His great glory.” When is the last time you did that?

Richard J. Clark · December 11, 2020

Safety in Music is a Pro-Life Issue

Updated music protocols in the Archdiocese of Boston include multiple layers of protection: masks, ventilation, distance, time.

Jeff Ostrowski · December 10, 2020

“Martinelli’s Letter” (dated 18 February 1910)

My recent post on the repercussion has induced some to ask: “Can we just sing whatever rhythm we want for the Vatican Edition? What about mensuralism? What about Bonvin and Vollaerts?” For those of us who work in the Extraordinary Form, we must follow the rhythm of the Editio Vaticana, and this was addressed in […]

Jeff Ostrowski · December 10, 2020

Offertory Compared • “Ave Maria” (4th Sunday of Advent) vs. “Ave Maria” (Immaculate Conception)

Consider the melody found in “Le Graduel Romain,” published in 1800—nine years before Napoleon Bonaparte kidnapped Pope Pius VII

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Jeff Ostrowski · December 9, 2020

9 December 2020 • A Cool Tradition

Before the reforms of the “Code of Rubrics” (1961), antiphons at Vespers were abbreviated in a cool way. For example, look at this antiphon, Ecce Veniet (from Vespers on the 4th Sunday of Advent). But that tradition—as far as I know—ended in 1961, with §191 which said: “The whole antiphon is always said before and […]

Jeff Ostrowski · December 8, 2020

Gregorian Chant • “How To Sing The Repercussion” (such as: Bistropha, Tristropha, etc.)

Each monastery had its own particular way of singing plainsong.

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Keven Smith · December 7, 2020

How to Help Children Match Pitch (part II)

Got your kids singing in head tone? Good. Next, try these two tips to eliminate obstacles to their success.

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Fr. David Friel · December 6, 2020

The Prophet Baruch: Surge, Ierusalem, Look to the East!

The communion chant for the Second Sunday of Advent, together with the introit and offertory, invite us to reflect on the Holy City, Jerusalem.

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Jeff Ostrowski · December 6, 2020

“Homily — 2nd Sunday of Advent, Year B” • Father Valentine Young, OFM

Yes, these are extraordinary times—and they require something extraordinary from us.

Jeff Ostrowski · December 2, 2020

Book Title • “English As She Is Spoke”

One who translates Aquinas expects to be cross-examined by those who understand philosophy and Latin; but Bible translators are liable to be cross-examined by anybody, because everybody thinks he knows what the Bible means.

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Jeff Ostrowski · December 2, 2020

(Ecuador) • Archbishop Poisoned on Good Friday

It happened during the “Mass of the Presanctified” celebrated on Good Friday, 30 March 1877.

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Veronica Brandt · December 1, 2020

Latin Mass Gospel Reading Video: Boost your Sunday

Reviewing the Sunday readings ahead of time is a highly recommended exercise. Now enjoy a crossword puzzle at the same time!

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Corpus Christi Watershed

President’s Corner

    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

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