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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for November 2020

Keven Smith · November 30, 2020

How to Help Children Match Pitch (part I)

It all starts with teaching your kids to sing in head tone. Here are some ideas on how to do it.

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Jeff Ostrowski · November 30, 2020

30 November 2020 • “Case in point”

The Solesmes rhythmic markings, which often contradict the official rhythm, do such damage to the antiphons of the Divine Office that—in my humble opinion—they should be abandoned. (In reality, this will never happen.) But sometimes, they do great damage to the melody of the Graduale Romanum, and I would offer the Offertory for the 1st […]

Jeff Ostrowski · November 30, 2020

The “Winking” Part • Where’d Father Lasance Get It?

A curious translation which Father Lasance “borrowed” for the Ash Wednesday Introit…

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Fr. David Friel · November 30, 2020

A Whale of a Pulpit

An unusual genre of ambo architecture

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Jeff Ostrowski · November 29, 2020

Extremely Rare! • Pages from the “Directorium Chori” (Solesmes Abbey, 1864)

The entire edition was destroyed in a fire (circa 1866) except four rare copies.

Jeff Ostrowski · November 27, 2020

27 November 2020 • ACCENTS

Certain Latin words are constantly mispronounced. For example, Carl Orff’s Carmina Burana is supposed to be pronounced “Cármina” but people frequently pronounce it as “Carmína”—wrong! Another example: Nova organi harmonia is supposed to be pronounced “órgani” but many people erroneously say “orgáni.” A somewhat tricky word is incipit. In Latin, it would be “íncipit” while […]

Jeff Ostrowski · November 25, 2020

Feast of the Holy Family • Where did it come from?

The Consilium asked (15 March 1965): “Is it pleasing that the feast of the Holy Family be suppressed?” • Discussion of the First Sunday After Epiphany; the Feast of the Holy Name; the Feast of the Baptism of the Lord; the two (2) instances of different “Jubilate Deo” Offertories which repeat; “Abhinc Duos Annos” (23 October 1913); and many other items+

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Jeff Ostrowski · November 24, 2020

“Homily — 1st Sunday of Advent, Year B” • Father Valentine Young, OFM

All of us are now closer to our moment of death than we were last year or in any time in the past.

Dr. Lucas Tappan · November 23, 2020

Inspiration for Organ Improvisation

Organ improvisation is on the mind of many organists these days as they cope in the absence of choirs and other musicians.

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Keven Smith · November 23, 2020

St. Matthew, St. Jane, and the End of a Liturgical Year

St. Jane de Chantal’s Prayer of Abandonment can help you make peace with a liturgical year that was not what any of us expected.

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Fr. David Friel · November 22, 2020

Resurgam and the Month of All Souls

Thoughts on Death from Emily Dickinson

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Jeff Ostrowski · November 20, 2020

20 November 2020 • Epiphany Sequence?

A very interesting Missale from 1759AD has a Sequence for the Epiphany, but I don’t know where one could find the musical notation. The Seqence is called: “Prompto Gentes Animo Ferte Nunc Altissimo Honorem Et Gloriam.”

Jeff Ostrowski · November 19, 2020

PDF Download • Several Useful Plainsong Books

“Variae Preces” (1892) — “Cantus Varii” (1902) — “Cantus Varii” (1928) — “Cantus Selecti” (1957)

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Jeff Ostrowski · November 19, 2020

18 November 2020 • FEEDBACK

From a priest in the Midwest: “That video by Andrea Leal which explains hymn meters and hymn text exchange is informative and a truly great explanation. Thank you for sending it to me. I hope all is well with you. God bless you as we soon enter into Advent.”

Andrea Leal · November 18, 2020

(Installment #14) “Catholic Hymnals” • Andrea Leal

I stand behind it to the extent that I have even volunteered to record several practice recordings, for which I have never received—nor will I ever receive—a single cent.

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

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  • “Offertory” at Catholic Funerals

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