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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Archives for November 2020

Keven Smith · November 30, 2020

How to Help Children Match Pitch (part I)

It all starts with teaching your kids to sing in head tone. Here are some ideas on how to do it.

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Jeff Ostrowski · November 30, 2020

30 November 2020 • “Case in point”

The Solesmes rhythmic markings, which often contradict the official rhythm, do such damage to the antiphons of the Divine Office that—in my humble opinion—they should be abandoned. (In reality, this will never happen.) But sometimes, they do great damage to the melody of the Graduale Romanum, and I would offer the Offertory for the 1st […]

Jeff Ostrowski · November 30, 2020

The “Winking” Part • Where’d Father Lasance Get It?

A curious translation which Father Lasance “borrowed” for the Ash Wednesday Introit…

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Fr. David Friel · November 30, 2020

A Whale of a Pulpit

An unusual genre of ambo architecture

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Jeff Ostrowski · November 29, 2020

Extremely Rare! • Pages from the “Directorium Chori” (Solesmes Abbey, 1864)

The entire edition was destroyed in a fire (circa 1866) except four rare copies.

Jeff Ostrowski · November 27, 2020

27 November 2020 • ACCENTS

Certain Latin words are constantly mispronounced. For example, Carl Orff’s Carmina Burana is supposed to be pronounced “Cármina” but people frequently pronounce it as “Carmína”—wrong! Another example: Nova organi harmonia is supposed to be pronounced “órgani” but many people erroneously say “orgáni.” A somewhat tricky word is incipit. In Latin, it would be “íncipit” while […]

Jeff Ostrowski · November 25, 2020

Feast of the Holy Family • Where did it come from?

The Consilium asked (15 March 1965): “Is it pleasing that the feast of the Holy Family be suppressed?” • Discussion of the First Sunday After Epiphany; the Feast of the Holy Name; the Feast of the Baptism of the Lord; the two (2) instances of different “Jubilate Deo” Offertories which repeat; “Abhinc Duos Annos” (23 October 1913); and many other items+

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Jeff Ostrowski · November 24, 2020

“Homily — 1st Sunday of Advent, Year B” • Father Valentine Young, OFM

All of us are now closer to our moment of death than we were last year or in any time in the past.

Dr. Lucas Tappan · November 23, 2020

Inspiration for Organ Improvisation

Organ improvisation is on the mind of many organists these days as they cope in the absence of choirs and other musicians.

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Keven Smith · November 23, 2020

St. Matthew, St. Jane, and the End of a Liturgical Year

St. Jane de Chantal’s Prayer of Abandonment can help you make peace with a liturgical year that was not what any of us expected.

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Fr. David Friel · November 22, 2020

Resurgam and the Month of All Souls

Thoughts on Death from Emily Dickinson

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Jeff Ostrowski · November 20, 2020

20 November 2020 • Epiphany Sequence?

A very interesting Missale from 1759AD has a Sequence for the Epiphany, but I don’t know where one could find the musical notation. The Seqence is called: “Prompto Gentes Animo Ferte Nunc Altissimo Honorem Et Gloriam.”

Jeff Ostrowski · November 19, 2020

PDF Download • Several Useful Plainsong Books

“Variae Preces” (1892) — “Cantus Varii” (1902) — “Cantus Varii” (1928) — “Cantus Selecti” (1957)

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Jeff Ostrowski · November 19, 2020

18 November 2020 • FEEDBACK

From a priest in the Midwest: “That video by Andrea Leal which explains hymn meters and hymn text exchange is informative and a truly great explanation. Thank you for sending it to me. I hope all is well with you. God bless you as we soon enter into Advent.”

Andrea Leal · November 18, 2020

(Installment #14) “Catholic Hymnals” • Andrea Leal

I stand behind it to the extent that I have even volunteered to record several practice recordings, for which I have never received—nor will I ever receive—a single cent.

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The Council of Trent taught: “In this divine sacrifice which takes place at Mass, the same Christ is present and is immolated in an unbloody manner, Who once on the Cross offered Himself in a bloody manner. For the victim is one and the same, now offering through the ministry of priests, Who then offered Himself on the Cross; only the manner of offering is different” (Session XXII, cap. 2, Denzinger, n. 940).

— Pope Pius XII (2 November 1954)

Recent Posts

  • Pope Saint Paul VI to Consilium (14 October 1968)
  • August 2025 • “Colorado Sacred Music Conference”
  • New “Latin/English Missal” for the Novus Ordo
  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini

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