“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)
The question of “Thee, Thy, Thou, Thine” • Speaks about whether referring to the “original version” of a hymn text makes sense • Treatment of the beautiful hymn melody called “Lafitau” and a harmonization by Claude Goudimel (d. 1572) with the melody placed into the Tenor voice+
God has a special task and calling for each and every one of us.
We can sometimes be so caught up in advancing Gregorian chant that we fail to remember that every single age in the history of the Catholic Church has seen forms of popular religious music…
Due to government restrictions, California has been “locked down” since March, and all our Masses are celebrated outside.
My grandparents served in World War II and helped defeat fascism. The service, faith, and prayers of people like them made it possible for us all to be church musicians today.
Sviatoslav Richter couldn’t function—much less perform—unless he carried around his pink, plastic lobster for comfort • Have you ever become discouraged about your abilities? Have you ever felt contempt for your early artistic creations? Typos from beautiful books are included in this reflection+
A Catholic homeschooler shares her preparations for hymn study for the upcoming Advent season. She presents pieces from deep in the Brébeuf Hymnal, one from fond memories at her Catholic school, and closes with bells intoning the “Angelus”.
The director of music at EWTN wrote to us about the Brébeuf hymnal: “I do believe your hymnal has the best harmonizations available. We have used several of your harmonizations on EWTN. I have recommended to other hymnal editors that they get aligned with Corpus Christi Watershed to improve their harmonizations. Take care.”
My colleague, Andrea Leal, recently posted something extraordinary: an English translation of a NOTITIAE document from 1970 which explains why the reformers did such violence to the ancient Proprium Missæ. The author of that document erroneously claims that Gregorian composers changed the wording for musical purposes, but the real reason Missal and Gradual don’t always […]
It sounds strange to Americans, but a very common European tradition is to sing a polyphonic “Agnus Dei” during the distribution of Holy Communion, famously defended by Cardinal Ratzinger in 1995. Monsignor Francis P. Schmitt wrote about visiting Saint Joseph Oratory in Montreal, and says: “A polyphonic Creed was sung during the distribution of Communion.” […]
Archbishop Sheen immediately replied: “Then I didn’t explain it correctly, because it should be a mystery” • Including Rex Sempiterne Caelitum, Jesu Nostra Redemptio, Vexilla Regis Prodeunt, Auctor Beate Saeculi, A Solis Ortus Cardine, Jesu Redemptor Omnium, Conditor Alme Siderum, Corde Natus Ex Parentis, Pange Lingua Gloriosi, Veni Creator Spiritus, and more!
Perhaps the most significant item we’ve yet had the honor of producing is an English translation of an extremely rare document from 1970. A member of the Consilium—Father Adalbert Franquesa Garrós—explains why the reformers felt it necessary to destroy most of the ancient Mass propers. In particular, this reformer priest claims that unless verses of […]
Book Review: “The First Christian Hymnal”
The Dies Irae is part of why my choir prefers singing Requiems to Nuptial Masses. Here’s why you should spend a few minutes with this Sequence on All Souls Day.
Knowledge is having the facts. Wisdom is knowing what to do with them.
