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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Veterans Day: Remembering Those Who Made Our Music Possible

Keven Smith · November 9, 2020

HE MAN WHO enabled me to become a church musician was profoundly hard of hearing. I can’t remember a time when I didn’t have to over-enunciate in his presence, even though he was only 54 when I was born.

His 1980s-vintage hearing aids used to whistle sporadically, driving Grandma crazy. “Oh, Paul,” she would admonish (half perturbed, half amused, fully English), “turn your hearing aids down!”

Granddad would fiddle with the devices and then go on being the life of the party, relying heavily on lip-reading to help him along. Minutes later, those hearing aids would whistle again.

How could this man have made my life as a church musician possible? If Granddad and his brave colleagues in the United States Air Force hadn’t landed at Normandy, fascists could have conquered the world. I might not even be alive; tyrants might have slaughtered my Catholic family.

This Veterans Day, as always, I’ll be remembering Granddad.

“Well, Look Who’s Here!”

I’ll also be remembering Grandma. For every soldier, there’s a concerned wife back home taking care of the babies, hoping and praying for good news. But Grandma was even more than that. Before becoming a full-time Mom, she had been a nurse in the Royal Air Force. She met Granddad at a function that brought the U.S. and U.K. troops together.

Grandma was born just six days after Granddad in Chester, England. She never lost her prim accent. When I was a little kid in Phoenix, we used to visit my grandparents every Saturday evening. As soon as we came through the door, Grandma’s chipper voice would ring out, “Well, look who’s here!”

Grandma spent the last few decades of her 96 years in agonizing pain due to a botched hip replacement and the ravages of osteoporosis. She never complained. Whenever I called and asked her directly about her suffering, she’d say, “Oh, well, you know, it’s pretty bad, but….how are you? How is the music going?”

Happy Trails, Dear Grandparents

These two veterans stood up against fascism, which is one reason I’m here today. Another reason was their openness to life as they joyfully raised nine children. But there’s also a musical significance to this story.

Grandma was a performer at heart. Back in high school, she starred as Portia in The Merchant of Venice. She glowed whenever we asked her about it.

Meanwhile, Granddad loved to sing and didn’t let his impaired hearing stop him. When he and Grandma finally moved to Thunderbird Retirement Resort, he was called upon to introduce himself and his bride to their new neighbors. After summarizing their life story and providing stats on their three generations of offspring, he concluded, “And I can sing a little, too!”

He then sang “Happy Trails” but somehow managed to end on the seventh scale degree. (Had he been able to hear well enough to realize this, he wouldn’t have been even mildly embarrassed.)

I’m sure my grandparents passed along many of the traits that have enabled me to make music for God’s glory. Most importantly, though, they passed along their Catholic faith. 

The last time I saw my grandparents, Grandma was in the throes of dementia. I spent a day with them at their retirement home and had nearly the same conversation with Grandma about 30 times. Grandma was still Grandma, but we had to start over every 15 minutes. It was like compressing my entire life to fit into one conversation, one living room. It was a joy.

As afternoon turned to evening, I realized I needed to get going. Moments before I left, I leaned over to my Grandma as she sat in her rocker. I looked right into those Dresden blue eyes, sensing that it would be the last time. “Grandma,” I said, “I know you pray for me and offer up your sufferings for me. And I think that any spiritual progress I’ve made these past few years has happened because you were sitting here in Phoenix, praying Rosaries. So, thank you.”

I could see in her gaze that she understood me—and that, at least for a moment, she could recall the countless hours she had spent in prayer. Her response was unmistakably Grandma. “Oh, well…. I’m happy to do it!”

May my dear grandparents—and all those who fought to keep fascism from reaching our shores—rest in peace.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: veterans day Last Updated: November 9, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

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— Dame Laurentia (talking about Justine Ward)

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