Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
Mr. Albert Bloomfield kindly sent me “Vespers for the Dead”—which does not fulfill a priest’s obligation to pray the Divine Office, yet is often prayed when a loved one dies. Here is formatting A, and here it is again with formatting B.
This is perhaps the single most significant liturgical document CCWatershed has ever unearthed—and translated to English! • Explains the origin of “Gradual Antiphons” vs. “Missal Antiphons” (a.k.a. “Sacramentary Antiphons”)+
Setting up a virtual pipe organ based on a tiny credit-card sized computer for your home studio.
My mother told me that my father used to stop at the rectory every Saturday afternoon to go to confession to the priest. He died when I was eight, leaving my mother with six children…
When a catafalque is used—instead of a dead body—the priest does not say the “Non Intres” prayer.
“Every diocese, almost every church, had its own customs. Our present rule dates from the revived missal of 1570.”
This travesty has been called “extensive restoration.”
Dr. Myrna Keough—who has earned two doctorates—is a conductor, composer, and educator dedicated to the renewal of sacred music in the Catholic Church.
Daniel specializes in helping parishes transition from contemporary to traditional music.
I bet you never noticed this, but here’s the proof! • Believe it or not, the Nicene Creed never says Our Lord “died,” and this article provides full documentation; also included are beautiful manuscript images from the greatest Dutch illuminated manuscript in the world: Catherine of Cleves Hours (15th century MS.)+
Looking for a speedy way to help your choir get into good placement for singing? The yawn breath encourages healthy phonation.
In many of His parables and teachings, Christ let us know that His Kingdom on earth was always what I am going to call “an unfinished product.”
These rehearsal videos were recorded by one person, and he apologizes for the poor singing quality…
Useful links as a “follow-up” to Mæstro Clark’s article about Fr. Weber’s plainsong settings.
In the early XIXth century the Duke of Wellington, speaking of infantry battles, is said to have exclaimed, “All soldiers run away. The good ones come back.”
