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Views from the Choir Loft

ICEL added “Died” to the Nicene Creed • (I am not kidding!)

Jeff Ostrowski · October 27, 2020

HENEVER I DISCOVER something interesting, I follow the example of Josef Hofmann and jot it down 1 in a designated spot. An example would be how President Ronald Reagan chose someone as his Chief of Staff whose name was almost identical: Donald Regan. Well, today I have something to say which you might want to write down. You probably won’t believe it, but it’s true:

The Nicene Creed does not
say that Our Lord “died”—
the word “death” was added
in the 1970s by ICEL.

Now, it is certainly true that when we pray the Apostle’s Creed (not the Nicene Creed) we find these words:

“passus sub Póntio Piláto, crucifíxus, mórtuus, et sepúltus”
“suffered under Pontius Pilate, was crucified, died and was buried”

But the Nicene Creed says something different, as this 1957 Missal shows, and please pay careful attention the Latin taken directly from the official 1962 Missal:

“Crucifíxus étiam pro nobis:
sub Póntio Piláto passus,
et sepúltus est.”
“He was crucified also for us,
suffered under Pontius Pilate,
and was buried.”

This translation is nothing new, as this 1806 Missal shows. The 1965 Roman Missal says the same thing. But look at the rather strange way ICEL chose to translate this passage in the 1970s—adding “died” and tampering with suffered under Pontius Pilate:

“Crucifíxus étiam pro nobis:
sub Póntio Piláto passus,
et sepúltus est.”
“For our sake he was
crucified under Pontius Pilate;
he suffered, died, and was buried.”

To be fair to ICEL, the official Latin punctuation seems to have been modified in the 1970 version of the ORDO MISSAE—but there is still no mention of “death” (mórtuus). Was such a change justified? Was ICEL afraid that people might think Our Lord was somehow crucified yet did not die? Or was ICEL confused, unwittingly mixing up the Nicene Creed with the Apostle’s Creed? It is true that the Latin word “passio” could refer to the sufferings under Pontius Pilate (e.g. the unjust scourging) and also to our Lord’s death: the culmination of his sufferings. For example, consider the use of “passio,” as in Passio Domini Nostri Jesu Christi. The martyrdom of a saint is also called “passio.”

The revised (“MR3”) ICEL translation published circa 2010 also inexplicably adds the word “death” and thereby seems to downplay (for example) the unjust scourging of Our Lord:

“Crucifíxus étiam pro nobis:
sub Póntio Piláto passus,
et sepúltus est.”
“For our sake he was crucified
under Pontius Pilate; he
suffered death and was buried.”

It would be interesting to see if the word “death” was added in French, German, Italian, or any other language.

Since we are speaking of the “Passio” of Our Lord Jesus Christ, I would like to share some pages from an absolutely remarkable Roman Catholic manuscript:

*  (15th century MS.) • “Catherine of Cleves Hours”
—This is the greatest Dutch illuminated manuscript in the world.

Agony in the Garden • Arrest of Christ

Our Lord before Caiaphas • Christ is mocked

Our Lord before Pilate • Christ before Herod

Our Lord is unjustly scourged • Crowning with thorns

Carrying of the Cross • Preparation of the Cross

Our Lord’s Crucifixion • Joseph of Arimathaea before Pilate

Our Lord is taken down • The Lamentation

Our Lord is placed in the tomb • The Resurrection

The Holy Trinity • God the Father

God the Son

Three Divine Persons of the Trinity

Christ Accepts His Father’s Decree to Save Mankind

The Infant Christ is sent to earth

Man of Sorrows Returned to the Trinitarian Throne

The rulers of earth adore the Trinity

 


NOTES FROM THIS ARTICLE:

1   Josef Hofmann—the greatest pianist of all time—also had an excellent memory. He could hear a complicated piece of music just once and memorize it instantly. In concerts, he would play pieces he hadn’t thought about (much less practiced) for decades—which is why he would bring a copy of the program with him on stage, to find out what he was performing! Josef Hofmann once gave a series of twenty-one consecutive concerts in St. Petersburg without repeating a single piece, playing 255 different works from memory. Yet (according to Abe Chasins) Hofmann kept a little notebook with him at all times, and jotted down things he found particularly interesting so he could remember them.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Josef Hofmann Pianist Extraordinaire, Nicene Creed, The Lord's Passion Last Updated: November 24, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

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