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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for June 2020

Jeff Ostrowski · June 30, 2020

Draft Document • “Church Music Manifesto” (2020)

We’re living in darkness—but, like the phoenix, authentic Church music can rise from the ashes!

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Keven Smith · June 29, 2020

Real Life in a Large Church Choir Program (Part IV of IV)

We come now to the final installment in my series on our music program at St. Stephen the First Martyr Catholic Church in Sacramento, California.

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Guest Author · June 29, 2020

Chanting and Spiritual Health

In a time of contagion and social unrest, we need plainchant more than ever, even when we stay home.

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Jeff Ostrowski · June 28, 2020

Sonata during the Gradual?

Wolfgang Amadeus Mozart wrote seventeen Church Sonatas between 1772 and 1780. These are short pieces intended to be played between the Epistle and the Gospel (during Mass). Shortly after Mozart left Salzburg, the Archbishop mandated that an appropriate choral motet or congregational hymn be sung at that point in the liturgy, with the result that […]

Veronica Moreno · June 27, 2020

Homeschool Snapshots: Take 1

Summer planning brings homeschooling mother to poetry by Robert Frost and St. Thomas Aquinas. “Poems are the food of faith.”

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Veronica Brandt · June 27, 2020

New Catholic Hymns: 24 Hymns for the Liturgical Year

New compositions in the timeless style of great Catholic hymns for all the major feasts, plus insights into the hymnodist’s creative process.

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Jeff Ostrowski · June 27, 2020

Sister Goodchild • “Gregorian Chant for Church and School”

This 130-page book can be downloaded for free.

Richard J. Clark · June 26, 2020

Best Practices with Current Restrictions • New Resource from Detroit

Best practices and a new antiphon project from the Archdiocese of Detroit

Jeff Ostrowski · June 26, 2020

Note from a reader (25 June 2020)

“Just visited your website for the first time 5 minutes ago. Was that struck by the beauty of the chant and the immense gift of such a beautiful collection that can be downloaded with ease…at no charge! In awe of the gift of this extensive content and the amount of labor that has gone into […]

Dr. Lucas Tappan · June 25, 2020

Six Points • The Church and Patronage of the Arts

If we want great artists, we must have places to train them in the best of the tradition and be able to crown their studies with a deeply imbued Catholic ethos.

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Jeff Ostrowski · June 24, 2020

PDF Download • “Saint Edmund Jennings Mass”

Today comes the third setting. A total of five Masses will be released.

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Jeff Ostrowski · June 23, 2020

More on the subject of “Mutual Enrichment”

My previous post on this subject was misunderstood in some quarters.

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Keven Smith · June 23, 2020

Real Life in a Large Church Choir Program (Part III)

Far from being a mere complement to our parish choir, our young Choristers are, quite frankly, its core.

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Veronica Brandt · June 20, 2020

Coloring 3rd Sunday after Pentecost

Coloring Calendars – Liturgical Art

Print an illustrated liturgical calendar with seasonal Gregorian chant excerpts.

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Jeff Ostrowski · June 19, 2020

Important • Watershed Will Never Be The Same!

On the feast of the Sacred Heart, we present an important memorandum from Corpus Christi Watershed’s president.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

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