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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

PDF Download • “Saint Edmund Jennings Mass”

Jeff Ostrowski · June 24, 2020

PROMISED to release a total of five Mass settings which work well even when sung by a solo cantor, or cantor with organist. The first installment was the Saint Ralph Sherwin setting. The second installment was the Saint Anne Line setting. Each of the Mass settings has included a harmonization for the Our Father, and some were confused by this since the “harmonization title” doesn’t match the rest of the Mass. I apologize for any confusion; it’s because those Our Father settings were composed prior to the Mass settings. This time around, I’ve attempted to present the Mass settings in a very clear manner—hopefully nobody gets too confused. 1

Today, for the third installment, I release the SAINT EDMUND JENNINGS Mass setting:

*  PDF Download • ORGAN ACCOMPANIMENTS
—Organ Accompaniment for the “Our Father” is included.

*  PDF Download • Congregational Booklet
—Make sure to select “double sided” when printing.

I personally believe my Mass settings sound cool when sung SATB. For instance, if you take the Our Father harmonies and score them as SATB, here’s how they sound:

Rehearsal video names don’t always correspond; cf. the first footnote.

We recorded rehearsal videos about ten years ago—and I’m not pleased with several of them—but these are all we have available at the moment:

KYRIE: (rehearsal video)

GLORIA: (rehearsal video)

SANCTUS: (rehearsal video)

MYSTERIUM: (rehearsal video)

GREAT AMEN: (rehearsal video)

OUR FATHER: (rehearsal video)

AGNUS DEI: (rehearsal video) 2

ONSIDER the life of Saint Edmund Jennings. He converted to the True Faith at age 16, and was ordained a priest at the young age of 23. He went to England, and was martyred because he was Catholic (not Anglican). Some would say: “What a waste; all those studies, and all that training! And then a few years later he was martyred.” But the Church doesn’t see it that way. By the way, Father Jennings died in 1591AD, during the same decade that saw the deaths of Palestrina (1594), Lassus (1594), Marenzio (1599), Guerrero (1599), and Zoilo (1592), as well as the birth of Father Jean de Brébeuf (1593).

 


NOTES FROM THIS ARTICLE:

1   Confusion stems from the fact that the rehearsal video titles sometimes don’t “match,” since they were included in other collections through the years. All I can say is that I have made every effort to make the scores as straightforward and unambiguous as possible this time around.

2   The “Agnus Dei” was recorded with an iPhone on a toy organ.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Cantor Plus Organist, Pieces For Small Choirs, Roman Missal Third Edition Last Updated: January 11, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The chapter orders that only grandees (and their immediate relatives), counts, marquises, and provincial governors may in future enter the choir enclosure during divine service: such a restriction being imposed so that quiet can be the better maintained during cathedral solemnities.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (25 May 1558)

Recent Posts

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  • Music Director Job • $80,000 per year
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