• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

  • Our Team
  • Catholic Hymnal
  • Jogues Missal
  • Site Map
  • Donate
Views from the Choir Loft

New Catholic Hymns: 24 Hymns for the Liturgical Year

Veronica Brandt · June 27, 2020

Two young men from opposite sides of the world recently released a new collaboration in the form of a collection of 24 hymns. Christian Catsanos wrote the words from Australia and Tate Pumfrey composed the music from Canada.

I have had the pleasure of singing with Christian in the past and thought this would be a grand opportunity to write about this new book and his side of its origins.

In September 2004 a concert at Sydney Town Hall1 inspired him to pursue sacred music. A few months later he composed his first hymn at the age of 11 – a Christmas carol.

Christian grew up singing in the school choir. The high school choir exposed him to high quality liturgical music, preparing for the weekly school Masses. The school had a student organist who was graduating, so Christian volunteered to take his place and was accepted. His background in piano stood him in good stead and his organ playing flourished.

Now Christian plays the organ and last year earned an Associate of Trinity College, London and is currently preparing for his Licentiate under the tutelage of Mr Peter Kneeshaw AM.

His two great mentors in liturgy and sacred music have been Dr Richard Connolly and Mrs Donrita Reefman.


The book of hymns grew from a chance encounter on Facebook where Tate Pumfrey asked for words to go with his hymn tunes. Christian Catsanos responded and over the next two years produced these twenty-four pieces covering all the major feasts.

Many hymns show the influence of Gregorian chant. My favorite example is this Salve Regina which started with Tate’s hymn tune based on the simple Gregorian chant antiphon. Christian’s words arrange the Salve Regina into three verses with the refrain:

Hail, holy Queen, our sov’reign be;
Salve, Regina, hail to thee.

Rhymes in the English language have changed over time. Occasionally one finds a hymn which rhymes words like “die” with words like “eternity”. This hymnbook employs this freedom with an Advent hymn for Laetare Sunday. Here is the fourth verse:

“So, upon this day so holy,
we our Lætare do cry;
through our penitence so lowly,
we shall know the victory;
and, our hearts employing wholly,
shall we praise the Trinity!”

Verse 4, “Sing a hymn of exultation” for Lætare Sunday

I asked Christian whether, in his opinion, these words should be sung to rhyme (for example, victor-eye, Trini-tie) or as they are usually pronounced. He gave the practical answer that although for a formal rendition it would be more meaningful for preserve the rhyme, these hymns are made for congregational use and most people will pronounce them as they are accustomed and that is fine too.

Most Precious Blood of Our Lord

This following hymn is written in honor of Jesus’ Most Precious Blood, whose feast day is coming up on this Wednesday, the 1st of July.

O Jesus, who for man below,
In such a mighty flood,
Poured streams of crimson, for to flow,
His precious, precious Blood;
The self-same Blood, in form of wine,
He gave before He died,
Was then out poured in love divine,
When He was crucified.

1st verse, O Jesus Who for Man Below by Tate Pumfrey and Christian Catsanos

Lastly I asked Christian: “What is the best part of composing hymns?” He answered the question with this piece on the vocation of hymnodists from a speech he gave last year:

Saint Augustine says, “One who sings well prays twice.” I truly believe this, and it sums up why the vocation of hymnodists, because we are the people whom God has set apart from the rest of His flock to bring sacred music into the temporal world, is so important. It is beyond me to say whether the sacred music known upon earth will be sung in heaven, or whether there are hymnodists among the choirs of angels who have written that which will be sung at the eternal feast. What I know for certain, though, is that the hymnodists marked by God and set among His flock but apart from the rest of His flock, bring many people to the eternal feast, because they have enabled many to sing well and pray twice; and no one who claims himself for Christ but makes his life devoid of prayer can be fit for the Kingdom of God.

Christian Catsanos from a speech on his 15th anniversary as a hymnodist in 2019

One last recording from the hymnbook, a Eucharistic hymn


The hymnbook is available from Amazon in the US, Canada and Australia.


NOTES FROM THIS ARTICLE:
1   The concert featured the Gloria in excelsis Deo from the Christmas cantata The flower of Bethlehem, with words by Irene Gass and music by Eric H. Thiman.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Last Updated: June 30, 2020

Subscribe to the CCW Mailing List

Avatar

About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

Quick Thoughts

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski
2 January 2021 • Temptation

When I see idiotic statements made on the internet, I go nuts. When I see heretics promoted by people who should know better, I get angry. Learning to ignore such items is difficult—very difficult. I try to remember the words of Fr. Valentine Young: “Do what God places in front of you each day.” When I am honest, I don’t believe God wants me to dwell on errors and idiocy; there’s nothing I can do about that. During 2021, I will strive to do a better job following the advice of Fr. Valentine.

—Jeff Ostrowski
31 December 2020 • “COMITES CHRISTI”

The feasts for Saint Stephen Proto-Martyr (26 December), Saint John the Evangelist The Disciple Whom Jesus Loved (27 December), and the Feast of the Holy Innocents (28 December) seem untouched by any liturgical reforms. These are very powerful feasts—I believe they once possessed octaves—and I believe they could sometimes “overpower” a Sunday feast. The rules for octaves in the olden days are extremely complex. These feasts are sometimes referred to as a single entity as: Comites Christi (“Companions of Christ”). This is just a guess, but there seems to be a triple significance: STEPHEN martyred after Christ lived, JOHN was a martyr who knew Christ personally, and the HOLY INNOCENTS were martyred before Christ’s birth.

—Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

Recent Posts

  • “Homily for the 2nd Sunday after Epiphany” (EF) • Father Valentine Young, OFM
  • Lies, Lies, Lies
  • What Color Is B-Flat? Life as a Musician with Synesthesia
  • Catholic Choirmasters • Never Fall For This!
  • 6 January 2021 • Anglicans on Plainsong

Copyright © 2021 Corpus Christi Watershed · Charles Garnier on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.