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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for July 2016

Fr. David Friel · July 30, 2016

“Actuosa Participatio” and the Reception of Holy Communion

Relevant Reflections from “Sacramentum Caritatis.”

Jeff Ostrowski · July 30, 2016

Why is a Raven Like a Writing Desk?

“To the historian their decisions are disgusting nonsense that people of my kind want simply to ignore.” — Fr. Adrian Fortescue (1919)

Andrew Leung · July 28, 2016

Free Recordings • British Boys’ Choir

Free recordings of famous British boys’ choirs on YouTube!

Jeff Ostrowski · July 27, 2016

Musical Resources • 11th Sunday after Pentecost

“…pour forth Thy mercy upon us, to take away from us those things which our conscience feareth…”

Dr. Lucas Tappan · July 27, 2016

The Musical Power of the Priest in the Ordinary Form

One musical advantage for the priest celebrating the Ordinary Form is that he can play an active role leading the music, yet still celebrate Mass.

Jeff Ostrowski · July 27, 2016

Letter To A Volunteer Choir…

The singers know their individual contribution is essential.

Jeff Ostrowski · July 26, 2016

Victoria Alleluia • Extraordinary & Ordinary Form

If your priest requires the congregation sing the “Alleluia,” there’s a nice way to do this.

Jeff Ostrowski · July 24, 2016

Musical Resources • 10th Sunday after Pentecost

“O God, Who dost chiefly manifest Thy power in forbearance and mercy…”

Fr. David Friel · July 24, 2016

Priestly Musical Formation in a Low Mass Culture

Reflections from Dr. Jennifer Donelson at Sacra Liturgia UK

Andrew Leung · July 23, 2016

Saints and the “Ad Orientem” Worship

What did the saints say about celebrating the Holy Sacrifice of the Mass facing East?

Andrew Leung · July 21, 2016

Summer Sacred Music Workshop • This Weekend!

The Summer Sacred Music Workshop 2016 is finally here!

Jeff Ostrowski · July 20, 2016

PDF Download • St. Cecilia Hymnal (1937)

Like all the books we release, this extremely rare hymnal was previously unavailable until we scanned and uploaded it.

Dr. Lucas Tappan · July 19, 2016

Ad Orientem and Sacred Music

Father told me that he felt extremely awkward standing in the sanctuary for two minutes while the congregation did nothing but look at him.

Andrew Leung · July 18, 2016

“I Desire Mercy, Not Sacrifice”

How can we renew the liturgy with charity? We shouldn’t seek to win arguments on the liturgy.

Fr. David Friel · July 17, 2016

Are the Readings at Mass Meant to Be Didactic or Doxological?

Reflections from the Fota IX International Liturgy Conference

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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