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Views from the Choir Loft

Musical Resources • 11th Sunday after Pentecost

Jeff Ostrowski · July 27, 2016


PROCESSIONAL

Organist.


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

We also add a polyphonic section, which is #4550.


INTROIT   •   Sung by the men.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

Go to this website and locate #3347, #3661, and #3579.


GLORIA IN EXCELSIS

We will probably sing #7709.

If not, we will use Campion Hymnals to sing Gloria IX with organ accompaniment by Flor Peeters. Another Gloria we know is #3610.


GRADUAL & ALLELUIA

We sing #3524 with the verses which you don’t need to practice.


CREDO IV   •   Alternatim

We sing this version: #3445.


OFFERTORY ANTIPHON

PDF Score (Singer)


Organist will play during the Offertory.


SANCTUS & HOSANNA

We have been singing #3496.


AGNUS DEI

Here is the musical score. To learn this piece, visit this website and locate #2978.   The words are different, but the music is the same.


COMMUNION ANTIPHON   •   Sung by the ladies.

PDF Score (Singer)   •   Practice Audio (Singer)

Accompanied from these markings.


COMMUNION

The chant verses from THIS accompanied by this organist score.

BENEDICTION :

After the Last Gospel, Celebrant changes into Cope at the chair. Then he walks to the center of the Altar to expose the Sanctíssimum. He intones “O Salutaris Hostia” (Number 968 in the Campion Missals) which we continue. Organist accompanies using this score.

Celebrant incenses the Sanctíssimum.

Consecration is not prayed.

We count to twenty, then begin singing “Tantum Ergo” (Number 969 in the Campion Missals). Organist accompanies using this file.

After the Blessing with the Monstrance, Divine Praises will be prayed, and Tabernacle door is closed, we sing “Adoremus.”


RECESSIONAL HYMN   •   #896 The Blessed Sacrament Of The Altar

From the Campion Hymnal.   Click here to hear the tune, but that’s slower than we’ll take it.


PRAYER WITH THE CHOIR (taken from the CAMPION HYMNAL) :

281 PRECIS


Here’s the most common conclusion:

407 Christ Saves


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski
    Don’t You Agree About These?
    If you want to make Jeff Ostrowski really happy, send him an email with effusive praise about the individual voice recordings for hymn #296. [Soprano, Alto, Tenor, Bass] They came out dazzlingly sensational, don't you agree?
    —Jeff Ostrowski
    Choral Vowels? Yes? No?
    Here's a live recording of one of the choral “warm-up” exercises my choir enjoys. It was taken during our rehearsal on 27 January 2023. It’s good to make sure each chord is perfectly in tune and balanced before moving to the next one. That only happens when each singer has the correct vowel. If you like, you can freely download that vocal exercise.
    —Jeff Ostrowski

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

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