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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for May 2016

Fr. David Friel · May 29, 2016

Priests as Ordinary Ministers of Holy Communion

A Duty That Is Not Ours to Surrender

Veronica Brandt · May 28, 2016

Planning a Corpus Christi Procession

Last minute preparations for a Corpus Christi Procession.

Richard J. Clark · May 27, 2016

A Model of Sacred Music at Priest’s First Mass

What music does a newly ordained priest, who currently plays the drums in a jazz band, choose for his first Mass? A priest who also has a degree from the Hartt School of Music in Music Production and Technology? The answer will surprise you.

Andrew Leung · May 26, 2016

A Guardian of the Sacred Tradition in the South

The Basilica of Sts. Peter & Paul is a Guardian of the Sacred Tradition and a great Patron Sacred Music and Arts.

Jeff Ostrowski · May 24, 2016

O Salutaris Hostia • Do You Like This Version?

Download this 47-page booklet … and please pardon any typos!

Dr. Lucas Tappan · May 24, 2016

Teaching the Very Young

I have received a number of emails of late from such musicians with questions regarding the musical training of the very young…

Cynthia Ostrowski · May 23, 2016

Los Angeles: Less Than A Week Away!

A phenomenal event which involves our District Superior & Archbishop Gomez.

Fr. David Friel · May 22, 2016

Guide for Large-Scale Celebrations

10 Points from a Newly Translated Document

Richard J. Clark · May 20, 2016

Composing Saves My Life

By shear will I chip away at the wretched dumpster fire of incongruence on the page. Then a purpose languidly surfaces with each revised note: Composing is a form of prayer.

Andrew Leung · May 19, 2016

Summer Sacred Music Workshop 2016

Southeastern Sacred Music presents Summer Sacred Music Workshop 2016.

Jeff Ostrowski · May 18, 2016

May Crowning • The Official Antiphon

Do you agree this is a dark antiphon?

Dr. Lucas Tappan · May 17, 2016

Video • Most Pure Heart of Mary Schola Cantorum

Our program continues to expand, and we look forward to working with more than 60 students next year!

Jeff Ostrowski · May 16, 2016

The Terrifying “But” Of Vatican II

Only four (4) bishops voted against the Vatican II document on liturgy.

Jeff Ostrowski · May 15, 2016

Blast From The Past!

What did the Traditional Latin Mass look like sixteen years ago?

Veronica Brandt · May 14, 2016

Veni Creator Chant Plus Polyphony by Couturier

Getting more mileage out of a beautiful hymn by alternating 4 part verses with the chant.

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

Recent Posts

  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing
  • What surprised me about regularly singing the Gloria in Latin

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