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Views from the Choir Loft

Planning a Corpus Christi Procession

Veronica Brandt · May 28, 2016

eucharisticprocession A procession of the Blessed Sacrament via Wikimedia Commons* YDNEY, AUSTRALIA has held a big Eucharistic Procession for the feast of Corpus Christi each year since 2006. This year the big plans were scuttled and parishes encouraged to hold their own parish processions.

Our little Latin Mass out on the western edge of Sydney has held a smaller procession each year joining with the neighbouring parish. This year the task of preparing a booklet fell to me so here I present :

PDF Booklet – 12 pages A5 Exposition, Procession, Rosary, Benediction.

I have made a GitHub repository for the little booklet for anyone else using LaTeX and gregorio to make booklets.

Maternal Heart of Mary’s Liturgical Booklets include a booklet for the 2nd Sunday after Pentecost with Procession. They begin with Salve Festa Dies and end with Ave Verum after the Blessed Sacrament is reposed.

It’s interesting to see into how other choirs and parishes approach a Eucharistic Procession – it’s a shame they are usually all on at the same time so you can’t experience more than one each year – especially when you’re involved.

Another sidetrack is looking at Beautiful Processional Canopies – amazingly based in Australia.



NOTES FROM THIS ARTICLE:

*   Photo credits: By Fennec. (Own work.) [Public domain], via Wikimedia Commons: Blessed Sacrament procession, First Annual Southeastern Eucharistic Congress, Charlotte, North Carolina – 20050924-01

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorio Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
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    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
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    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It introduces us to a still and serious world, deserted and rigid, without colour, without light, without motion; it does not gladden, does not distract; yet we cannot break away from it.”

— ‘Schweitzer on the THEME from Bach’s “Art of Fugue”’

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