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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Archives for May 2016

Fr. David Friel · May 29, 2016

Priests as Ordinary Ministers of Holy Communion

A Duty That Is Not Ours to Surrender

Veronica Brandt · May 28, 2016

Planning a Corpus Christi Procession

Last minute preparations for a Corpus Christi Procession.

Richard J. Clark · May 27, 2016

A Model of Sacred Music at Priest’s First Mass

What music does a newly ordained priest, who currently plays the drums in a jazz band, choose for his first Mass? A priest who also has a degree from the Hartt School of Music in Music Production and Technology? The answer will surprise you.

Andrew Leung · May 26, 2016

A Guardian of the Sacred Tradition in the South

The Basilica of Sts. Peter & Paul is a Guardian of the Sacred Tradition and a great Patron Sacred Music and Arts.

Jeff Ostrowski · May 24, 2016

O Salutaris Hostia • Do You Like This Version?

Download this 47-page booklet … and please pardon any typos!

Lucas Tappan · May 24, 2016

Teaching the Very Young

I have received a number of emails of late from such musicians with questions regarding the musical training of the very young…

Cynthia Ostrowski · May 23, 2016

Los Angeles: Less Than A Week Away!

A phenomenal event which involves our District Superior & Archbishop Gomez.

Fr. David Friel · May 22, 2016

Guide for Large-Scale Celebrations

10 Points from a Newly Translated Document

Richard J. Clark · May 20, 2016

Composing Saves My Life

By shear will I chip away at the wretched dumpster fire of incongruence on the page. Then a purpose languidly surfaces with each revised note: Composing is a form of prayer.

Andrew Leung · May 19, 2016

Summer Sacred Music Workshop 2016

Southeastern Sacred Music presents Summer Sacred Music Workshop 2016.

Jeff Ostrowski · May 18, 2016

May Crowning • The Official Antiphon

Do you agree this is a dark antiphon?

Lucas Tappan · May 17, 2016

Video • Most Pure Heart of Mary Schola Cantorum

Our program continues to expand, and we look forward to working with more than 60 students next year!

Jeff Ostrowski · May 16, 2016

The Terrifying “But” Of Vatican II

Only four (4) bishops voted against the Vatican II document on liturgy.

Jeff Ostrowski · May 15, 2016

Blast From The Past!

What did the Traditional Latin Mass look like sixteen years ago?

Veronica Brandt · May 14, 2016

Veni Creator Chant Plus Polyphony by Couturier

Getting more mileage out of a beautiful hymn by alternating 4 part verses with the chant.

Jeff Ostrowski · May 13, 2016

Musical Resources • Pentecost Sunday

“O God, Who on this day didst instruct the hearts of the faithful by the light of the Holy Spirit…”

Andrew Leung · May 12, 2016

Feast of Bl. Álvaro del Portillo

Blessed Álvaro del Portillo, the successor of St. Josemaría Escrivá and Prelate of Opus Dei.

Jeff Ostrowski · May 11, 2016

Rehearsal videos • “Come, Holy Ghost” (SATB)

Pentecost is coming—are you ready?

Lucas Tappan · May 10, 2016

How Do We Get the Boys to Sing?

Why is sports so popular and communal singing so undervalued?

Jeff Ostrowski · May 10, 2016

Fox News • “Rise of the Latin Mass”

“To be honest, I wasn’t a fan at first…but now I love it.” —Brenda DiGirolamo

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Quick Thoughts

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

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  • Part 2 • “Starting Your Own Traditional Latin Mass”
  • Is This Really The Same Church??
  • Solmization from the Inside

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