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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Singing the Mass

Keven Smith · May 27, 2022

On Mistakes (Part II of II)

How we all respond to mistakes can have a huge effect on the cohesiveness and sound of our choirs.

Follow the Discussion on Facebook

Jeff Ostrowski · March 9, 2022

PDF • “Hymn Suggestions For Each Sunday”

The conscientious choirmaster takes people where they are and then—carefully and prudently—leads them to something higher.

Fr. David Friel · March 31, 2019

Sacred Music US • Website for Fr. Weber’s Resources

A website exists to disseminate Fr. Samuel Weber’s sacred music resources

Fr. David Friel · March 24, 2019

New Musical Settings for the Blessing of the Holy Oils

The USCCB has provided freely downloadable versions of the musical settings of these newly translated texts.

Fr. David Friel · February 2, 2019

Fourth-Century Advice for Choir Directors

A passage from Nicetas of Remesiana remains eminently applicable today.

Fr. David Friel · March 19, 2017

What to Do with the “Fourth Option”

A new Adoremus article explores how best to overthrow the tyranny of “alius cantus congruus.”

Fr. David Friel · October 2, 2016

New Collection of Propers from GIA

The growing market for Mass propers is a sign of promise.

Fr. David Friel · September 25, 2016

Turning Off the Air Conditioning

Taking Advantage of the Natural Beauty that Surrounds Us

Richard J. Clark · September 23, 2016

The Choir Isn’t Everything

The priest’s musical role is enormously influential. This can not be emphasized enough.

Fr. David Friel · September 11, 2016

Composition Contest

Submissions Sought by the Conference of Roman Catholic Cathedral Musicians

Fr. David Friel · April 24, 2016

Instruction on Sacred Music by Bishop John Doerfler

Introducing a Five-Year Plan for the Future of Sacred Music in the Diocese of Marquette

Fr. David Friel · January 31, 2016

Too Many Options

Allowing Adolescents to Choose Their Faith & the Wide-Open Permissions of the GIRM

Fr. David Friel · June 14, 2015

OFFERTORY: Chant Propers in Three Parts for Sundays & Feasts

Exciting New Collection of Simple English Propers!

Richard J. Clark · May 8, 2015

Why Should We Sing the Psalms at Mass?

if we do not sing the antiphons proper to the day—and the corresponding Psalm verses—we risk having a narrow view of the Psalms.

Fr. David Friel · April 26, 2015

A Criticism & Good News

Another Look at Fr. Weber’s “The Proper of the Mass”

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Corpus Christi Watershed

President’s Corner

    Cardinal Ranjith on “Active Participation”
    From 2005–2009, Malcolm Cardinal Ranjith served as Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He was considered ‘papabile’ during the last conclave. On 8 December 2008, he wrote this powerful statement concerning Gregorian Chant, participatio actuosa, celebration “ad orientem,” and other subjects. When it comes to the question of what “sacred” means, Monsignor Robert A. Skeris provides a marvelous answer.
    —Jeff Ostrowski
    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

Recent Posts

  • Online Breviary With Chant
  • “Dynamic Equivalence” • Serious Problems with the Forthcoming Lectionary Translation
  • Cardinal Ranjith on “Active Participation”
  • Exec. Director of ICEL weighs in on our series • “PDF comparison chart” included
  • “Music List” • 22nd in Ordinary Time (Year C)

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