Reverence, prayer, and internal participation increased through this act of external participation.
Singing the Mass
Two Contributions from CCW Bloggers
Silence is one of the most important sounds of the liturgy.
If the ICEL chants (or another Gregorian setting) are used at all the masses in a parish, it develops unity. It also helps a parish refrain from being multiple communities under the same roof.
The biggest problem in Roman Catholic liturgical music is the prevailing misunderstanding of its very purpose.
Michael Olbash’s “Mass in Honor of the Blessed Virgin Mary, Star of the Sea” demonstrates the mandate of Pope Saint Pius X that music for the liturgy be Sacred, Beautiful, and Universal.
Mass in Honor of Pope Saint John Paul II on “Sounds from the Spires” and the Youth-Based Chant Movement
On air discussion with Dr. Jennifer Pascual, Director of Music at St. Patrick’s Cathedral – the youth-propelled chant movement, the new economic model of publishing, and how these are reshaping the liturgical landscape…and broadcast of the “Mass in Honor of Pope Saint John Paul II”.
FREE DOWNLOAD of the complete score AND recordings.
The “Circular Letter Concerning the Preparation and Celebration of the Easter Feasts”
Once the mass began, the children began singing the Gregorian Introit, and fifteen thousand young people immediately stilled to complete silence.
Disparagement is not catechesis. It is destructive. If we are to catechize and evangelize, we must put God first, not our own preferences. Meanwhile, we must catechize and strive for the ideal.
“Southie” is a section of Boston better known from the films “Good Will Hunting” and “The Departed.” It is also infamous for the convicted murderer and gangster, James “Whitey” Bulger. But, yes, glorious Gregorian Propers, polyphony, and hymnody at a Nuptial Mass in “Southie.”
But blessings come and go. Crosses are plentiful. Uncertainty makes life scary. But, no matter who you are, rich or poor, lowly sinner or saint, these words are prayed (hopefully sung) in the funeral mass: “In Paradisum…”
In Praise of A Polyphonic Credo
I have a challenge to the “Big Three” publishers. The propers are the new frontier of liturgical composition. I propose that they get ahead of the curve now.
I confront a challenge most musicians of sacred music face: the battle between the Word and musical “feel.” From the Word, emanates a life: all that is love, all that is beauty, all that is sacrifice and service to God.
The Mass is a sung prayer and our greatest prayer. As such, it is not our goal to “make” something happen in liturgy. Only God can do that. Any role we have is God’s gift of grace to us. The sooner we understand that, the better we will fulfill our ministry and mission.
The priorities of what we should sing at mass are full of surprises for some. I hope in the end that the greater “surprise” will be in how our prayer is formed by what we sing. I hope this will be the most pleasant surprise of all.
Free download of Communion Propers for the Easter Season, Year C