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Corpus Christi Watershed

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Views from the Choir Loft

Sacred Music Colloquium

Jeff Ostrowski · October 22, 2021

PDF Download • “Wedding Booklet” (22 pages)

A word about “Kleptomaniac Choirmasters.”

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Fr. David Friel · May 9, 2021

Virtual Sacred Music Colloquium 2021

Alongside many familiar faces, several new presenters are joining the faculty this year.

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Follow the Discussion on Facebook

Fr. David Friel · June 11, 2020

Virtual Sacred Music Colloquium 2020

The CMAA will offer a virtual version of its annual, week-long workshop.

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Follow the Discussion on Facebook

Fr. David Friel · June 25, 2017

Composition with Pencil & Paper or Computer Software?

A lunch-time conversation at Sacred Music Colloquium 2017 in St. Paul, MN

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Fr. David Friel · May 7, 2017

Fota X Conference (and other Summer Opportunities)

Summer 2017 looks to be a blockbuster period for sacred music activity.

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Fr. David Friel · April 16, 2017

Introducing the Wethersfield Institute Chant Workshop

A new chant workshop in upstate New York in June 2017.

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Fr. David Friel · June 24, 2016

Colloquium 2016 • Day 4

Reflections on Offering a Colloquium Mass

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Fr. David Friel · June 23, 2016

Colloquium 2016 • Day 3

The Organic Development of the Liturgy and the New Music Breakouts

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Fr. David Friel · June 22, 2016

Colloquium 2016 • Day 2

Explanatory Images from Wilko Brouwers

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Fr. David Friel · June 21, 2016

Colloquium 2016 • Day 1

A concert of early music by the ensemble “Pro-Arte Saint Louis”

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Jeff Ostrowski · November 24, 2015

Our Church Music Movement: How Are We Doing?

I never dreamed that so many people love this stuff…and are willing to fight for it!

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Fr. David Friel · March 15, 2015

The Future of the Pipe Organ

“The manifold possibilities of the organ remind us of the immensity and the magnificence of God.” (Pope Benedict XVI)

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Fr. David Friel · November 16, 2014

Colloquium Friends & Chant Workshops

“Adventus Dona” in the Diocese of San Diego

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Fr. David Friel · November 9, 2014

Sacred Architecture & the Dedication of the Lateran Basilica

When we come to church, there should be no question whether we are in a church or in a coffeehouse or in a multipurpose gym.

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Fr. David Friel · July 8, 2014

Colloquium Roundup

How to Experience Colloquium XXIV Belatedly and From Afar

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Corpus Christi Watershed

President’s Corner

    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski
    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

Recent Posts

  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)
  • “Predictable Rhymes?” • A Follow Up
  • Absolutely ‘Perfect’ Voice-Leading?
  • “The Choirmaster Survey” • Update on 29 July 2026

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CONTACT • Corpus Christi Watershed

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Corpus Christi Watershed
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