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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Carmen Gregorianum

Jeff Ostrowski · February 10, 2026

“Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

“In a world filled with a lot of noise, your sacred song lifts our hearts to heaven…” —Parishioner

Jeff Ostrowski · December 23, 2025

💰 Are Church Musicians Paid Too Little?

I came very close to paying an unspeakably severe price.

Jeff Ostrowski · December 16, 2025

What does this mean? “Pre-Urbanite”

This topic I had believed to be fairly well understood—but I was wrong.

Jeff Ostrowski · December 10, 2025

Soloists in Gregorian Chant?

An “ensemble of soloists” will never sound the same as a true choir.

Jeff Ostrowski · November 1, 2025

“In Paradisum” • Gregorian Chant

While the coffin is being carried to the grave, the following anthem is sung.

Jeff Ostrowski · October 9, 2025

PDF Download • “Offertory” for this Sunday

Anyone know why the Book of Esther was chosen? That same section of Esther was chosen for last Sunday’s Introit.

Dr. Charles Weaver · October 8, 2025

The Real Miracle of Gregorian Chant

It may not have been dictated into a saintly pope’s ear by a dove, but the real story is no less wonderful.

Jeff Ostrowski · October 8, 2025

Why A “Fugue” Here?

I think you will agree about this.

Jeff Ostrowski · May 21, 2025

What No Musicologist Can Explain!

How glorious is Gregorian Chant!

Jeff Ostrowski · January 20, 2025

PDF • “Gloria VIII” on 5 lines!

As of a few minutes ago, you can freely download this PDF score.

Jeff Ostrowski · January 6, 2025

PDF Download • Extremely Rare! —Solesmes “Graduale” acc. to the Official Rhythm (1,049 pages)

Doesn’t it stand to reason that we should sing from this edition in the manner its creators intended?

Jeff Ostrowski · December 19, 2024

“Entrance Chant” • 4th Sunday of Advent

Like so many Advent antiphons, this one is in the first mode and comes from the prophet Isaiah.

Jeff Ostrowski · December 3, 2024

PDF Download • Pristine Scan: Father Mathias’ 1905 Kyriale Organ Accompaniment (186 pages)

Father Mathias served as organist for Strasburg Cathedral, where he founded the “Saint Leo Institute for Church Music” in 1913.

Jeff Ostrowski · November 11, 2024

“Quotation” • Pope Pius X on Plainsong

“That would be to me the finest triumph sacred music could have…” —Giuseppe Cardinal Sarto (1897)

Jeff Ostrowski · November 8, 2024

Huge Discovery! • Rare Document Explains Why There’s a “Spoken” Version of the Propers

His statement is not only foolish, it approaches heresy!

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“As a little child, Christ is presented in the temple, the Lawgiver obeying His law. Here the Redeemer offers Himself and is redeemed at a pauper’s price.”

— Father Augustine Thomas Ricchini (d. 1779)

Recent Posts

  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass
  • Solfege Volleyball: A Children’s Choir Game
  • PDF Download • “2-Voice Hymn” (Holy Name)
  • Music List • (5th Sund. Ordinary Time)
  • Fulton J. Sheen • “24-Hour Catechism”

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