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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Beauty in the Catholic Liturgy

Fr. David Friel · July 20, 2024

Society for Catholic Liturgy Conference 2024

Hosted in Houston, this conference will explore “Liturgy and the Human Imagination.”

Dr. Charles Weaver · November 9, 2023

Report • “Musical Shape of the Liturgy Conference”

This week I attended part of an excellent academic conference in honor of William Mahrt.

Keven Smith · December 28, 2020

Start the New Year Right with a Spectacular Alleluia

If you attend the Extraordinary Form, the Alleluia for the Octave of the Nativity will enable you to start the New Year with a bang.

Follow the Discussion on Facebook

Andrea Leal · January 29, 2020

In Which a Neo-Pagan Converts

I could feel that this Glory was immense, and mysterious, and real. But I could not quite grasp what that meant for me or what I should even do about it.

Fr. David Friel · January 14, 2018

Should Liturgy Be Practical?

A Thought from G.K. Chesterton

Fr. David Friel · September 25, 2016

Turning Off the Air Conditioning

Taking Advantage of the Natural Beauty that Surrounds Us

Fr. David Friel · August 14, 2016

World Youth Day Krakow: Music Recordings

Seventeen (17) Tracks Now Available on iTunes

Fr. David Friel · August 7, 2016

A Different Kind of World Youth Day

Sacred Music Helped to Transform Tauron Arena Kraków into a House of Prayer

Fr. David Friel · April 3, 2016

Which Masses Would You Choose?

If you had the opportunity to add more festive music to selected feasts in the liturgical year, to which would you give preference?

Fr. David Friel · February 14, 2016

Repetition in the Roman Missal

A Literary Approach in an Adoremus Bulletin Article

Richard J. Clark · July 10, 2015

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

As church musicians, what sustains us?

As musicians, what sustains us? Certainly, good music is a requirement. Not just good music, but beauty itself.

Richard J. Clark · June 5, 2015

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

Dancing on the Edge with Truth and Beauty

“I encourage you to make music at the highest levels possible in your parishes. Our people deserve it and our God is worthy of the highest forms of praise.” — John Romeri

Richard J. Clark · March 6, 2015

Pope Francis and “recovering the allure of beauty”

If the priest is “excessively” focused on the rubrics “…I do not enter into the mystery” “…if I am a showman, the protagonist” of the Mass, “then I do not enter into the mystery” either.

Fr. David Friel · January 18, 2015

Praise of God Demands Song

Impromptu Address of His Holiness Benedict XVI to the Members of the Pontifical “Sistine” Choir

Richard J. Clark · October 17, 2014

The Death of a Parish | A Promise of New Life?

One of the most painful spiritual experiences many Catholics suffer is the closure of their parish.

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

[on Latin] “No change in Mass: people have missals and can read. More vernacular can be useful in the Sacraments: Baptism, Confirmation, Extreme Unction, Matrimony.”

— Cardinal Spellman (one of the Vatican II fathers)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)

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