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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

World Youth Day Krakow: Music Recordings

Fr. David Friel · August 14, 2016

AST WEEK, I shared news about the liturgical experience at last month’s World Youth Day 2016 in Poland. I wrote about the wonderful work done by the Dominican Liturgical Centre in Kraków, which orchestrated all the liturgies at the Mercy Centre (Tauron Arena), the main English-speaking catechesis site.

If you would like to taste a bit of what pilgrims experienced that week in Kraków, you can do so with the help of iTunes, where the Dominicans have released seventeen new tracks. Take note that the album, entitled “Jesus I Trust in You,” is not a collection of live recordings from the Mercy Centre, but rather the same pieces recorded earlier by members of the Dominican Liturgical Institute. You can download the album here:

* * * “Jesus I Trust in You” — iTunes Album

(WYD music recorded by the liturgical ensemble of the Basilica of the Holy Trinity & Hubert Kowalski)

This music is beautiful, simple, and sacred. It enhanced the World Youth Day liturgies greatly, and it serves as a model for what can be done to promote truly sacred music at the popular, grassroots level.

* * * UPDATE * * *

Additional recordings of some of the “Gouzentine” music used at the Mercy Centre are freely available on SoundCloud. These recordings were made in 2010 by the Columbia University Catholic Ministry Choir, including Chris Mueller, Fr. Lukasz, and other singers.

* * * “In the Gouzentine Manner” — SoundCloud Album

(Music recorded by the Columbia University Catholic Ministry Choir)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Beauty in the Catholic Liturgy, Catholic Youth Choirs, Secular vs Sacred Music at Mass Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Those who teach Latin must know how to speak to the hearts of the young, know how to treasure the very rich heritage of the Latin tradition to educate them in the path of life, and accompany them along paths rich in hope and confidence.”

— Pope Francis (7 December 2017)

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