Views from the Choir Loft

Beauty in the Catholic Liturgy

Which Masses Would You Choose?

Fr. David Friel · April 3, 2016

If you had the opportunity to add more festive music to selected feasts in the liturgical year, to which would you give preference?

Repetition in the Roman Missal

Fr. David Friel · February 14, 2016

A Literary Approach in an Adoremus Bulletin Article

As church musicians, what sustains us?

Richard J. Clark · July 10, 2015

As musicians, what sustains us? Certainly, good music is a requirement. Not just good music, but beauty itself.

Dancing on the Edge with Truth and Beauty

Richard J. Clark · June 5, 2015

“I encourage you to make music at the highest levels possible in your parishes. Our people deserve it and our God is worthy of the highest forms of praise.” — John Romeri

Pope Francis and “recovering the allure of beauty”

Richard J. Clark · March 6, 2015

If the priest is “excessively” focused on the rubrics “…I do not enter into the mystery” “…if I am a showman, the protagonist” of the Mass, “then I do not enter into the mystery” either.

From a Catholic priest…

Regarding the CCW mailing list, a priest (Father E. J.) wrote to us yesterday:

“Sometime ago, you wrote something along the lines that none of your emails are copies or merely pitches; each one is individual. I respect you so much for that. I don’t always get to read through them, but they remain in my inbox for when I have time. I can’t over estimate how much I appreciate you and your team’s work, how many times I’ve turned to CCwatershed for guidance, tips, and ideas. Unfortunately I’m not in a position to choose or direct music at my assignment. I may have said this to you once before but: I look forward to when I can. One of the first things I’d do in a parish is bring your resources aboard (gradually, of course).”

—Jeff Ostrowski

Does Gregorian Chant ever skip a 7th?

I’ve really been enjoying singing from the Père Daniel Kyriale (126 pages), which is a fabulous little book. I had no idea it would turn out so nicely—incredibly useful, and the printing is super crisp. I noticed something quite strange the other day: Kyrie X (an extremely ancient chant) contains a skip of a seventh. Sometimes that’s the result of a missing Trope, but not in this instance. (I know, because I also examined the Troped version.)

—Jeff Ostrowski

We love getting messages like this one…

“I am a 25-year-old organist and cantor from the mountains of Northern Colorado. I wanted to take this opportunity to thank you and your friends for working hard to bring excellent content to your website and my inbox. I have found many, many awesome resources to help me stay faithful to the Church’s stance and traditions on good, beautiful sacred music at the local parishes for which I play the organ and cantor. Truly refreshing to see all the good content. Mere words fail me. I wish you could know how helpful you’ve been. I can sense your passion for this, and it’s contagious. We were able to start to implement the chanted antiphons in English, and I am more comfortable singing the traditional Latin propers at Holy Communion or Offertory. I have a tremendous appreciation for the beauty handed down by our forefathers, especially with the Extraordinary Form Mass… I wish we could have them more often, but good things are starting to happen to sacred music. Other church musicians I know and used to work with are grateful for your resources and hard work. You influence more people than you know!”

—Jeff Ostrowski

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)