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Corpus Christi Watershed

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · November 11, 2021

11 November 2021 • “Iste Confessor” Hymn

The brief little SATB piece, O Pater Sancte (PDF), has been requested by many. The full title is O Pater Sancte, Mitis Atque Pie (“Father most holy, gracious and forgiving”). The melody occurs many times in the The Saint Jean de Brébeuf Hymnal—including on page 724 with a fabulous translation by Monsignor Knox. The tune […]

Jeff Ostrowski · October 28, 2021

“Hymnals Compared” • with PDF files!

Mr. Daniel Craig, an accountant, comes from a musical family. His sister is a nun, and his brother is currently a seminarian. He has put together a detailed comparison of fifteen traditional Catholic hymnals. Many PDF files are included. Click here to view the article.

Jeff Ostrowski · October 23, 2021

22 October 2021 • “Sad & Unnecessary”

The USCCB has completely deleted a section of their website which (before they deleted it) contained helpful resources for the classical Roman Rite. Something cool they had included (before they deleted it) was a link to the new prefaces, approved by Pope Francis on 25 March 2020. Will this madness never end?

Jeff Ostrowski · October 11, 2021

11 October 2021 • “Sing All Verses?”

Some claim Catholics deserve condemnation because (unlike Protestants) Catholics often omit verses when singing hymns at Mass. Is that true? The wonderful Sophia Institute Press—as part of a series on authentic sacred music—has provided an answer (PDF) to this question.

Jeff Ostrowski · October 1, 2021

Where do Catholics find hymns?

The wonderful Sophia Institute Press has begun a “Q+A” section which tackles common liturgical questions, and here’s a sample: “At a conference I recently attended, the speaker said hymns don’t belong at Mass; was he telling the truth?” And you can read the answer. To access the complete set (which is a work in progress), […]

Jeff Ostrowski · September 28, 2021

28 September 2021 • FEEDBACK

From a reader: “I have read the pages explaining the Blessed Sacrament in the Brébeuf hymnal and plan on continuing to contemplate them. Moreover, the Christ the King Hymn is beautifully sung on the recording you posted (to the Watershed blog), and I wish my church would sing these hymns instead of modern ones from […]

Jeff Ostrowski · September 26, 2021

“Salve Regina” • Organ Accompaniment

Readers already realize that seventeen (17) splendid organ accompaniments for the simple “Salve Regina” can be freely and conveniently downloaded here. But what about the solemn tone for the “Salve Regina”—has anyone composed an organ accompaniment for that? Yes, Canon Jules Van Nuffel has composed one for the solemn version.

Jeff Ostrowski · September 24, 2021

“A Tale Of Two Missals”

Sometimes words are superfluous. Sometimes no commentary is needed. If you look at this Tale of Two Missals (PDF)—which compares the Canon from the “Modern” ICEL Missal with a “Dark Ages” Missal, I think you will understand exactly what I’m getting at.

Jeff Ostrowski · September 23, 2021

23 September 2021 • FEEDBACK

From a reader: “Corpus Christi Watershed is the greatest musical organization ever created in the Church!”

Jeff Ostrowski · September 21, 2021

Church “Narthex” • What’s that?

Do you know what the church narthex is? It’s kind of like a separate room, blocked off by a wall. A buddy of mine (sitting in the narthex) took some iPhone recordings of our congregation singing Vespers. Here’s how they sound sans organ. [Note: Whenever I play for Vespers, I make sure to have some […]

Jeff Ostrowski · September 16, 2021

16 September 2021 • Fulton J. Sheen

Here is a photo of Archbishop Fulton J. Sheen celebrating Mass in Jerusalem. That image was included in the “Fulton J. Sheen Sunday Missal” (1961), which was edited by Father Caramen and has an IMPRIMATUR by William Cardinal Godfrey, who served as Archbishop of Westminster from 1956 until his death in 1963. The Fulton Sheen […]

Jeff Ostrowski · September 16, 2021

15 September 2021 • Offertory Problem

I submit to you that nothing is gained by these slight variations in the repeats for the Epipany Offertory. The edition is by Carl Ott, a musicologist. Almost nothing is about Carl Ott—as far as I can tell, nobody even knows when Carl Ott was born or when Carl Ott died.

Jeff Ostrowski · September 8, 2021

A Truly Insane Liturgical Practice

In 2013, I began speaking of an insane liturgical practice which was allowed by Pope Pius XII—but nobody realizes this. If you tried to do this at the Traditional Latin Mass, you would most likely be run out of town on a rail. However, for the record, the FULTON SHEEN MISSAL (edited by Father Caraman) […]

Jeff Ostrowski · August 31, 2021

31 August 2021 • Unexpected Facts

Yves Chiron claims that Annibale Bugnini was a professor at PIMS (the Pontifical Institute of Sacred Music in Rome) for ten years, but in 1965 he was forced to resign. If true, this is very odd. Another odd fact: It turns out that Leopold Stokowski, the famous conductor who helped Josef Hofmann found the Curtis […]

Jeff Ostrowski · August 27, 2021

27 August 2021 • “DO” a deer?

Giovanni Battista Doni (d. 1647AD) is known for having changed the name of the UT Note—renaming it “Do.” He convinced his contemporaries to make the change by arguing that: (1) “Do” is easier to pronounce than “Ut” is; and (2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the […]

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

Recent Posts

  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

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