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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Featured

Jeff Ostrowski · October 18, 2020

Dom Pothier • “To The Eyes And To The Ears”

For years, I couldn’t understand this business about “the eyes and the ears.” What did Pothier mean? Then it hit me. • Topics include Dom Joseph Pothier, the mora vocis, Abbot Pothier’s brother (Dom Alphonse Pothier), Dom Lucien David, Dom Paul Jausions, and a truly magnificent story about Pope Pius X and Abbot Pothier, which is essential reading+

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Jeff Ostrowski · October 16, 2020

The “Mora Vocis” • What is that?

The “Pre-NOH” editions have quite an idiosyncratic way of lengthening the neumes. • Fulsome illustrations are included examining and explaining the mora vocis of the Vatican edition; also mentioned is Dom André Mocquereau, Rafael Cardinal Merry del Val, and Pothier’s Liber Gradualis (1883)+

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Keven Smith · October 6, 2020

The Real Reason Why Some People Don’t Match Pitch

(Keven Smith) • I’ve come to realize that the vast majority of “tone-deaf” people aren’t really tone-deaf at all. They just haven’t been trained to coordinate their voices with their audiation+

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Jeff Ostrowski · October 2, 2020

“Spoken vs. Sung Propers” • The Complete History

Lies containing a little truth are the most difficult to quash • Here is the definitive, final exposé on why the “Spoken Propers” don’t match the “Sung Propers.” • In October of 1972, the Bishops’ Committee on the Liturgy falsely equated the “Spoken Propers” with the “Sung Propers” and proclaimed: “These antiphons are too abrupt for communal recitation” • Several official English translations of the Roman Gradual have received the imprimatur multiple times+

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Fr. David Friel · September 16, 2020

Solesmes Publishes “Antiphonale Romanum I” for Lauds

This 2020 chant edition makes possible the chanting of Lauds according to the Liturgy of the Hours.

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Keven Smith · September 7, 2020

Introvert, Except at Rehearsal? You May Be an Ambivert

(Keven Smith) • Here are some suggestions on how to get the most out of your unusual combination of skills and traits+

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Keven Smith · August 11, 2020

Why Are You a Church Musician, Anyway?

(Keven Smith) • Now is the perfect time for us all to stop and reflect on where we came from as church musicians. What was it that first made you interested in singing, directing, or playing the organ?+

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Corpus Christi Watershed · August 8, 2020

PDF Download (2,092 pages) • “Liturgical Notes on the Roman Missal” by Archbishop Schuster

Blessed Alfredo Ildefonso Cardinal Schuster was a Benedictine monk who became the Archbishop of Milan.

Jeff Ostrowski · July 21, 2020

“Pope Pius XII Psalter” • How different was it?

If this had caught on, every chant book—along with every psalm setting of Palestrina, Victoria, Morales, Guerrero, etc.—would have become “garbage” overnight.

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Veronica Brandt · May 30, 2020

Singing the Little Office of the Blessed Virgin Mary

The Baronius Press edition is beautiful, but lacks important markings for singers.

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Jeff Ostrowski · May 21, 2020

“Jesu Nostra Redemptio” • Ancient Hymn for the Ascension translated into English!

Did you know every Mass is a celebration of our Lord’s Ascension? — Here’s proof.

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Jeff Ostrowski · May 11, 2020

How to properly sing “Alleluia” in Eastertide (1962 Missal)

The way to “repeat” Alleluia during Eastertide confuses many people.

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Keven Smith · April 27, 2020

What Spilling My Coffee Taught Me About Directing My Choir

(Keven Smith) • Yesterday morning I spilled coffee all over my desk before leaving for our live-streamed Mass. It ended up being a great move+

Jeff Ostrowski · April 14, 2020

PDF Download • “Victimae Paschali” Organ Accompaniment (Nine Versions)

Organ Accompaniments for “Victimae Paschali Laudes” • Some people love it; others hate it. Regardless, Mocquereau never backed down, and we must admire his tenacity!

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Jeff Ostrowski · March 31, 2020

Going Beyond Archbishop Fulton Sheen’s “Take”

Sheen has sometimes been criticized for avoiding mention of the sacred liturgy during his talks, but I cannot agree with such a view. • Includes about the Holy Eucharist, including a quote by Father Leslie Rumble and a quote from Pope Pius X+

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Ralph Vaughan Williams “was an atheist during his later years at Charterhouse and at Cambridge, though he later drifted into a cheerful agnosticism: he was never a professing Christian.”

— Dr. William Mahrt, CMAA President (2021)

Recent Posts

  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)

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