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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download (2,092 pages) • “Liturgical Notes on the Roman Missal” by Archbishop Schuster

Corpus Christi Watershed · August 8, 2020

ORPUS CHRISTI WATERSHED has been informed that Arouca Press has recently republished an important collection by Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954). Whether you celebrate the Ordinary Form or the Extraordinary Form, these volumes are extremely important. Their scope is quite wide. For example, currently there is widespread confusion with regard to “Rood Screens”—Blessed Schuster deals with this topic. Church musicians will appreciate how the volumes contain many ancient hymns, such as “Salve Festa Dies” with English translation. Blessed Schuster even provides a “Hymn for Extreme Unction” (Volume 3, page 440). At the end of Volume 3, there is a “Hymn for the Holy Name,” which is an Acrostic on “JESUS.” The books each have an excellent index.

(The entire collection was translated into English by Arthur Levelis-Marke.)

Download the complete set as PDF files:

*  PDF Download • FIRST VOLUME (418 pages)
—Published in 1924 • Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954).

*  PDF Download • SECOND VOLUME (428 pages)
—Published in 1925 • Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954).

*  PDF Download • THIRD VOLUME (442 pages)
—Published in 1927 • Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954).

*  PDF Download • FOURTH VOLUME (456 pages)
—Published in 1929 • Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954).

*  PDF Download • FIFTH VOLUME (348 pages)
—Published in 1930 • Blessed Alfredo Ildefonso Cardinal Schuster (d. 1954).

Notice that Part 8 is divided between Volume 4 and Volume 5:

In the olden days, liturgists would say “look it up in Fortescue.” If you are planning on writing anything regarding the sacred liturgy, it would be good to first “look it up in Schuster.” Corpus Christi Watershed has several PDF scans of important books by Father Adrian Fortescue which we plan to release soon (hopefully).

We congratulate Arouca Press for making it possible to purchase hard copies of the works by Blessed Schuster. The person in charge of the Arouca Press wrote to me: “Arouca refers to the northern region in Portugal where part of my family is from. Also, Blessed Mafalda, an incorrupt saint, is buried there.”

 


NOTES FROM THIS ARTICLE:

Note:   Blessed Alfredo Ildefonso Schuster was born in Italy. He was a Benedictine monk, but later became the Archbishop of Milan (from 1929 until his death in 1954). He accepted the name “Ildefonso” as a Benedictine monk and served as an abbot prior to his elevation to the cardinalate.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Ildefonso Schuster Last Updated: November 21, 2020

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”

— From the Life of Ignazy Friedman

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