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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · November 25, 2020

Feast of the Holy Family • Where did it come from?

The Consilium asked (15 March 1965): “Is it pleasing that the feast of the Holy Family be suppressed?” • Discussion of the First Sunday After Epiphany; the Feast of the Holy Name; the Feast of the Baptism of the Lord; the two (2) instances of different “Jubilate Deo” Offertories which repeat; “Abhinc Duos Annos” (23 October 1913); and many other items+

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Jeff Ostrowski · November 24, 2020

“Homily — 1st Sunday of Advent, Year B” • Father Valentine Young, OFM

All of us are now closer to our moment of death than we were last year or in any time in the past.

Dr. Lucas Tappan · November 23, 2020

Inspiration for Organ Improvisation

Organ improvisation is on the mind of many organists these days as they cope in the absence of choirs and other musicians.

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Keven Smith · November 23, 2020

St. Matthew, St. Jane, and the End of a Liturgical Year

St. Jane de Chantal’s Prayer of Abandonment can help you make peace with a liturgical year that was not what any of us expected.

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Fr. David Friel · November 22, 2020

Resurgam and the Month of All Souls

Thoughts on Death from Emily Dickinson

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Jeff Ostrowski · November 19, 2020

PDF Download • Several Useful Plainsong Books

“Variae Preces” (1892) — “Cantus Varii” (1902) — “Cantus Varii” (1928) — “Cantus Selecti” (1957)

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Andrea Leal · November 18, 2020

(Installment #14) “Catholic Hymnals” • Andrea Leal

I stand behind it to the extent that I have even volunteered to record several practice recordings, for which I have never received—nor will I ever receive—a single cent.

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Fr. David Friel · November 18, 2020

On the Dedication of Churches

Celebrating the dedication of St. Peter’s Basilica and St. Paul Outside the Walls

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Jeff Ostrowski · November 17, 2020

“Alma Redemptoris Mater” • Thirteen (13) Organ Accompaniments

When it comes to Gregorian harmonizations, this piece is surely the “pons asinorum.”

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Keven Smith · November 16, 2020

Let’s Bring Back the Thank-You Note

I’m a little early for Thanksgiving, but I think any church musician will appreciate this story of gratitude.

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Fr. David Friel · November 15, 2020

Wilbur Wright and the McCarrick Report

The importance of telling the truth.

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Jeff Ostrowski · November 11, 2020

Should Hymn Lyrics Be Inordinately Archaic?

The question of “Thee, Thy, Thou, Thine” • Speaks about whether referring to the “original version” of a hymn text makes sense • Treatment of the beautiful hymn melody called “Lafitau” and a harmonization by Claude Goudimel (d. 1572) with the melody placed into the Tenor voice+

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Jeff Ostrowski · November 11, 2020

“Homily — 33rd Sunday in Ordinary Time, Year A” • Father Valentine Young, OFM

God has a special task and calling for each and every one of us.

Dr. Lucas Tappan · November 10, 2020

(Installment #13) “Catholic Hymnals” • Lucas Tappan

We can sometimes be so caught up in advancing Gregorian chant that we fail to remember that every single age in the history of the Catholic Church has seen forms of popular religious music…

Jeff Ostrowski · November 10, 2020

Solemn Mass • Ruins of Saint Mary’s Cathedral (Nagasaki, 1949)

Due to government restrictions, California has been “locked down” since March, and all our Masses are celebrated outside.

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Some are called not to much speaking, | nor to conversations about the Church, | but, rather, to a deep silence | and to a life hidden in the heart of the Church, | far from wrangling tongues, from speculations, and discord. […] This is the essence of a Eucharistic monastic life.

— Fr. Mark Daniel Kirby (Meditation on Colossians 3:3)

Recent Posts

  • New “Latin/English Missal” for the Novus Ordo
  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective

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