• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

Articles

Jeff Ostrowski · June 9, 2021

Jordan B. Peterson • “My Biggest Regret In Life”

…church musicians will be surprised by this!

Jeff Ostrowski · June 8, 2021

Twelve (12) Tips • “Keeping Choir Members Happy”

Add variety to the singing, so choir members will “take delight” in what they are doing—and they should be “taking delight” in singing praises to God.

Follow the Discussion on Facebook

Jeff Ostrowski · June 7, 2021

“Part 2 of 3” • Guerrero Kyrie for Our Lady

This *might* be the most beautiful 45 seconds in music—Father Guerrero’s compositions are truly awe-inspiring!

Follow the Discussion on Facebook

Jeff Ostrowski · June 6, 2021

PDF Drafts • Ten (10) Gregorian Chant Litanies

Here’s what I currently have…but several of these draft copies are pretty ugly!

Follow the Discussion on Facebook

Jeff Ostrowski · June 4, 2021

They Did Something Bad & Inexplicable • (Documentation Included)

I beg you on my hands and knees to read verses 12-20.

Follow the Discussion on Facebook

Andrea Leal · June 3, 2021

PDF Download • For the Sacred Heart (3 voices)

There is a great need for simple polyphonic pieces arranged for 2 voice and 3 voices.

Follow the Discussion on Facebook

Jeff Ostrowski · June 2, 2021

PDF Download • Organ Accompaniments for “Lauda Sion Salvatorem” (Sequence)

“Man cannot understand this, cannot perceive it; but a lively faith affirms that the change—which is outside the natural course of things—takes place.” (Ladua Sion, v12)

Follow the Discussion on Facebook

Keven Smith · May 31, 2021

Charles Tournemire: An Organist’s Best Friend

Tournemire’s L’Orgue Mystique is an indispensable resource—especially for organists who are feeling “stuck” in their improvisation.

Follow the Discussion on Facebook

Jeff Ostrowski · May 31, 2021

News From Belgium • Re: Choral “Our Father”

Including an update on the Sacred Music Symposium.

Follow the Discussion on Facebook

Jeff Ostrowski · May 29, 2021

(Holy Trinity Sunday) • An Astonishing Hymn!

Hymns by Monsignor Knox often make reference to “the friendless”—have you ever been without a friend?

Follow the Discussion on Facebook

Jeff Ostrowski · May 29, 2021

PDF Download • “Credo VII Polyphonic Extension” for a Girls’ Choir

We’ve decided to try an experiment, with assistance from one of my favorite composers: Giovanni Maria Nanino (d. 1607).

Follow the Discussion on Facebook

Jeff Ostrowski · May 26, 2021

What A Roman Catholic Hymnal Looks Like!

How exactly does the “Choral Supplement” look in real life?

Follow the Discussion on Facebook

Dr. Charles Weaver · May 25, 2021

A Summer Course in Old Notation

Announcing an opportunity for graduate-level summer study in sacred music.

Jeff Ostrowski · May 25, 2021

“Veni Creator Spiritus” + Organ Accompaniment • with English Translation by Fr. Fortescue

Did you realize there are two versions of this famous hymn?

Follow the Discussion on Facebook

Jeff Ostrowski · May 23, 2021

“Part 1 of 3” • Guerrero Kyrie for Our Lady

Now that choirs are beginning to come back…

Follow the Discussion on Facebook

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 64
  • Page 65
  • Page 66
  • Page 67
  • Page 68
  • Interim pages omitted …
  • Page 322
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I left music college swearing never to write another note again … It was during the mid-1980s when esoteric and cerebral avant-garde music was still considered the right kind of music to be writing.”

— James MacMillan

Recent Posts

  • Communion Chant (5th Sunday of Easter)
  • PDF Download • “Entrance Chant” for the Fifth Sunday of Easter
  • “Sanctus XVIII” • Peculiar-Yet-Haunting Accompaniment (Sent To Us)
  • Chants That Crowds Roar With Burning Hearts
  • “Music List” • 4th Sunday of Easter (Year C)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.